{First Chapter Reveal} Surgeon’s Story by Mark Oristano

Surgeon's Story

Title: SURGEON’S STORY
Author: Mark Oristano
Publisher: Authority Publishing
Pages: 190
Genre: Nonfiction Medical

What is it like to hold the beating heart of a two-day old child in your hand? What is it like to counsel distraught parents as they make some of the most difficult decisions of their lives?

Noted pediatric heart surgeon Dr. Kristine Guleserian has opened up her OR, and her career, to author Mark Oristano to create Surgeon’s Story – Inside OR-6 With a top Pediatric Heart Surgeon.

Dr. Guleserian’s life, training and work are discussed in detail, framed around the incredibly dramatic story of a heart transplant operation for a two-year old girl whose own heart was rapidly dying. Author Mark Oristano takes readers inside the operating room to get a first-hand look at pediatric heart surgeries most doctors in America would never attempt.

That’s because Dr. Guleserian is recognized as one of the top pediatric heart surgeons in America, one of a very few who have performed a transplant on a one-week old baby. Dr. Guleserian (Goo-liss-AIR-ee-yan) provided her expertise, and Oristano furnished his writing skills, to produce A Surgeon’s Story.

As preparation to write this stirring book, Oristano spent hours inside the operating room at Children’s Medical Center in Dallas watching Guleserian perform actual surgeries that each day were life or death experiences. Readers will be with Dr. Guleserian on her rounds, meeting with parents, or in the Operating Room for a heart transplant.

Oristano is successful sportscaster and photographer and has made several appearances on stage as an actor. He wrote his first book A Sportscaster’s Guide to Watching Football: Decoding America’s Favorite Game, and continues to volunteer at Children’s Medical Center.

“We hear a lot about malpractice and failures in medical care,” says Oristanto, “but I want my readers to know that parts of the American health care system work brilliantly. And our health care system will work even better if more young women would enter science and medicine and experience the type of success Dr. Guleserian has attained.”

Readers will find all the drama, intensity, humor and compassion that they enjoy in their favorite fictionalized medical TV drama, but the actual accounts in Surgeon’s Story are even more compelling. One of the key characters in the book is 2-year-old Rylynn who was born with an often fatal disorder called Hypoplastic Left Heart Syndrome and was successfully treated by Dr. Guleserian.

Watch the Book Trailer at YouTube.

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CHAPTER ONE

A Day in the Life

“We eat stress like M&Ms in here.”

 

OR-5

Children’s Medical Center, Dallas

November 5, 2009

I’m staring at eleven month-old Claudia, lying sedated on the operating table in OR-5, as still as a doll with no moving parts. She looks smaller than her charted weight of nine kilos (20 pounds). Nurses cover her with sterile blue surgical drapes so all that’s visible is a 4-inch square patch of skin on her chest. Bright white lights bathe the center of the table. Doctors and nurses in gowns, caps, and masks crowd around. They look almost identical. Except for the earrings. The earrings are the “tell.” That’s how you know it’s her.

Kristine Guleserian, pediatric cardiothoracic surgeon, is scrubbed in. Known throughout the hospital as Dr. G, she is one of only nine women in the U.S. certified to do what she’s about to do — take a scalpel sharper than a dozen razors, cut through Claudia’s skin, saw open her breastbone, and spread her ribcage apart in order to repair two congenital defects threatening a malformed heart the size of a walnut. It’s just after 9:00 AM. Claudia will be in OR-5 until 2:00 PM, along with a team of talented surgeons, nurses, techs, anesthesiologists, and others. Dr. G is in charge.

 

October 27, 2009

Children’s Medical Center – Heart Center

Two weeks before Claudia’s surgery, I had a 1:30 PM meeting with Dr. G at her office. At 1:25, I sat in the waiting room. At 1:30, Dr. G came through at her favorite speed — full. She headed for the door while putting on her white, starched lab coat over surgical scrubs and said, “Come on.” We trotted down the hospital hallway.

“This is my world. You wanted to see it. Welcome to my life.”

“Where are we going?” I was struggling to keep up with her even though I’m a foot taller.

“We have to do a consult.”

“We?”

“I have to. You’ll watch.”

We whisked past the main desk of the echocardiography lab. Dr. G motioned to the charge nurse.

“He’s with me.”

We squeeze into the dark and cramped echo lab, where there’s barely enough space for the two women sitting at the monitors. Dr. G introduced me to cardiologists Dr. Catherine Ikemba and Dr. Reenu Eapen, then turned her focus to the echo monitors. An echocardiogram is a moving image produced by sound waves directed at the heart and reflected back again as the waves pass from one type of tissue to another. To me it looked like a blurry, moving x-ray. To the eyes of these three women it was an intimate cardiac road map. A nine-year old boy had a malformed aorta, and the cardiologists wanted Dr. G’s opinion. She was Socratic, asking questions she likely already knew the answers to, saying, “Well, I might do…” so-and-so, and then asking her colleagues for their opinions.

Two weeks later, I came back for the first of many long days as her shadow. I wasn’t quite Alice in Wonderland, but the feeling of falling down a hole did occur to me.

 

November 5, 2009

7:30 AM – Heart Center Research Meeting

There’s more to being a surgeon than surgery. This particular day begins in a windowless media room, the kind of video-meeting-training center you’d find in any school or business. Rows of desks and chairs give it a classroom feel. A/V equipment hangs from the ceiling and a large video screen dominates the front of the room. The dress code is strictly medical, no business attire here. Doctors and nurses in scrubs and lab coats shuffle into the room, many with the ubiquitous cup of Starbucks in hand. Today will feature a presentation of two ongoing cardiac studies being conducted at the Children’s Medical Center’s Heart Center. The room is very cold, and Dr. G wears a black turtleneck sweater under her white lab coat. She pulls the sweater neck up over her nose and mouth as the meeting goes on, seeking warmth. A presenter advances to the lectern, and the unmistakable look of the PowerPoint presentation flashes on the screen behind her. The title slide reads:

CHROMOSOMAL COPY NUMBERS IN

HYPOPLASTIC LEFT HEART SYNDROME

Before I ventured into Dr. G’s world, I had begun my own rudimentary study of congenital heart disease (heart defects present at birth), trying for a foothold in the maze of childhood cardiac problems. I had read that hypoplastic left heart syndrome (HLHS) is a life-threatening cardiac deformity where the left ventricle, which pumps blood to the aorta and then around the body, is so weak that without surgical intervention any infant suffering from it will likely die. The pediatric heart specialists in the meeting room critique what they’ve just heard. A senior cardiologist might question the validity of this or that portion of the research methodology. These are works in progress, not ready for publication. Ongoing study is a part of the surgeon’s job description.

In the meeting room, the media screen glows again.

ECHOCARDIOGRAPHIC PREDICTION OF SPONTANEOUS

CLOSURE OF DUCTUS ARTERIOSUS IN PREMATURE INFANTS

After only two weeks shadowing Dr. G, I was able to make some sense of this title. The Heart Center team is using echocardiography to predict whether the ductus arteriosus in the hearts of premature infants will close properly after birth, sparing the need for open-heart surgery. That was about all I knew. I had to dig deeper into the textbooks to learn more about what was beating beneath my own breastbone.

The human heart is a four-chambered pump, designed to send deoxygenated blood to the lungs to get a new supply of oxygen, and then sending that oxygen rich blood on its journey around the body to nourish organs and tissues. The left and right sides of the heart each have two chambers — an atrium on top, and a slightly larger ventricle on the bottom. Each side is like Dali’s version of an hourglass. The atria and the ventricles are each separated by a thin wall called a septum. The ventricular septum is slightly more muscular than the septum for the smaller atria.

In a normal heart deoxygenated (blue) blood enters the right atrium from large blood vessels called the vena cavae, which bring blood back from the rest of the body after distributing oxygen. The right atrium contracts, opening the tricuspid valve, and blood flows down into the larger right ventricle. The contraction of the right ventricle sends blood through the pulmonary valve to the pulmonary arteries, and into the lungs for oxygenation. The newly oxygenated blood enters the left atrium through the pulmonary veins. When the left atrium contracts, blood is sent through the mitral valve into the left ventricle. The left ventricle contracts, blood moves through the aortic valve into the aorta, and off to oxygenate the rest of the body — the brain, the coronary arteries of the heart itself, deep into the internal organs, and superficially to the skin. Over and over again, on average 100,000 times per day. That’s in an anatomically correct heart. (Anatomic trivia: The pulmonary arteries are the only arteries that handle deoxygenated blood, while the pulmonary veins are the only veins that handle oxygenated blood. Otherwise, oxygenated blood always flows through arteries, and deoxygenated blood through veins.)

The number of things that can go wrong with the human heart is staggering. Heart disease in adults is usually acquired. When we develop a heart condition in later life, it’s most often our own doing. Smoking, obesity, hypertension, poor diet, lack of exercise, diabetes, genetics and more, contribute to the clogged coronary arteries, heart attacks, strokes and other events that make heart disease the leading cause of death in most developed countries. Congenital heart disease is present in approximately 35,000 newborns in the U.S. each year, although many of these show no symptoms and don’t learn of any problems until years later, if ever. Since infants haven’t had a chance to do much damage to themselves, it’s fair to wonder how a newborn heart can have so many problems. Congenital heart defects occur because of interruptions in normal fetal heart development.

The developing fetal heart contains a series of shunts, like miniature bypasses, to keep blood away from the pulmonary arteries and lungs so that blood flow is kept low, and the tiny lungs won’t be overtaxed. Fetal lungs are non-functional, because the fetus gets oxygen from the mother through the umbilical cord. The shunts in the fetal heart are:

1) foramen ovale, which lets blood flow from the right to the left atrium,

2) ductus venosus, which draws umbilical blood away from the fetal lungs and into the vena cava, and;

3) ductus arteriosus, which connects the pulmonary artery to the descending aorta, thus allowing most blood from the right ventricle to bypass the non-functional fetal lungs.

All three of the shunts alter themselves after birth to create the normal heart design. When something interferes with the natural switch over from fetal to breathing infant heart, physicians call it “persistent fetal circulation.” It can manifest in hundreds of way. In certain situations, it’s never even noticed.

Anatomy of the Heart 101 is over. Bookmark these diagrams and return PRN (medical for “as needed”).

 

8:15 AM

3rd floor Cardiovascular Intensive Care Unit

The Cardiovascular Intensive Care Unit (CVICU) has twenty rooms arcing around a large central desk. The furnishings are modern, corporate-like, and austere. The pulse of the CVICU is the rhythm of the beeping sound common to every TV medical drama. Each patient is attached to a monitor measuring blood-oxygen saturation (sats), heart rate (HR), blood pressure (BP), respiratory rate, temperature, and more. Each monitor is a computer, producing different sounds for different reasons. The one constant is that audible beep, one for each heartbeat. An infant’s tiny heart beats significantly faster than an adult’s, so the pace of the beeping is rapid, and each baby here suffers from a potentially fatal malfunction of that rapidly beating heart.

Nurses move everywhere, monitoring every child. Intravenous (IV) fluid bags hang at each bed — six, eight, sometimes more. One patient has ten IV drips, each one delivering a different life-supporting medication — sedation, painkillers, antibiotics, anticoagulants, blood products, nutrition and others. The drips hang from poles, and flow directly into the tiny patient’s arm or leg, or more often, into a catheter inserted into the chest for easy access. The drips feed into a large control panel with the concentration and rate of flow of each drip handled by computer. All these babies are critically ill, critically tiny, many premature. Most of them are smaller than the stuffed animals that sit, unnoticed, next to them.

I’ve been volunteering at Children’s for 13 years, but this is my first time in the CVICU. I’m here for cardiac surgery rounds, following Dr. G as she checks on the progress of patients. Another familiar sight from medical TV shows is on display here — the long, white coat — the peacock feathers of physicians and surgeons. Children’s Medical Center is a teaching hospital, part of the University of Texas Southwestern Medical School in Dallas. Doctors and surgeons, long past their residencies now and specialists in their fields, wear the long, white lab coat. Medical students, residents and interns are in shorter coats. Dr. G is the shortest of the long coat-clad. Sure, she’s only five feet tall, but as they say in the sports world, she plays six-two. She’s not the only woman in the group, but she’s the only one wearing a long white coat. The young doctors listen to her.

Heart surgeons, ICU doctors, cardiologists, nurses, nurse practitioners, physician assistants, fellows, residents and students start at one end of the unit to move room by room around the floor. A cardiology fellow pushes the computer on wheels (COW), and presents each case. This young doctor has made several of the basic choices his career path requires. He’s just finished his residency where he worked in various specialties. He’s chosen medicine over surgery, pediatrics over adult, and cardiology over other disciplines, making pediatric cardiology his career choice. He’s taking his first steps down the six-year road it will take to earn “attending” status, when he’ll be in charge of cases. He’ll then be a pediatric cardiologist, a doctor who treats young people with heart disease. He’ll refer cases needing surgery to people like Dr. G, a pediatric cardiothoracic surgeon. Her career path was twice as long, requiring twelve years to attending status. Cardiologists diagnose — surgeons repair.

Even though he’s out of residency, this doctor is still learning. He stops in front of the door to the first patient room and runs down the important events from overnight — vital signs, patient status, complications, and planned treatment. The male attendings ask questions that are pointed and occasionally harsh. Dr. G draws the younger doctors out with her questions, gently nudging them back on the right track. “I didn’t hear anything about left atrial pressure there,” she tells the presenter, who immediately refers to the COW screen and spews a series of numbers out in a specific order. The young doctor’s voice is tense, rising a bit, as he makes up for his omission. It’s unlikely he’ll make this mistake again. Terms like “open-chest” and “life-threatening event” are heard on cardiac rounds, said calmly and with nonchalance. Hospital personnel in critical care settings are outwardly detached. It’s a key to staying focused.

The CVICU nurses rounding make notes while answering questions concerning how patients fared overnight. There is a pecking order among hospital personnel, and some doctors treat nurses as underlings; nevertheless, a tremendous level of trust exists between the doctors and nurses at Children’s. If the doctors are the officers of this army, the nurses are the sergeants, the ones who make sure everything gets done.

While the rest of the group moves along the hallway, Dr. G stops to look inside the room of the patient just presented. If she sees a family member inside, and they’re awake at this early hour, she goes in to say hello and ask how things are going. She feels a responsibility toward every family, even if the case isn’t hers. It’s not done for effect or because her medical training requires it. This is the way she treats everybody. It doesn’t matter if your child has a serious heart condition. It doesn’t even matter if you have a child. When Dr. G sees you, in the hallway, in the cafeteria, in the OR, she says hello.

Rounds end, leaving just enough time to dash up to the eighth floor cardiac unit and check on patients who are out of ICU, waiting to be discharged. One young heart transplant patient has turned up her oxygen level without the nurses knowing about it. Dr. G tells the 13-year old girl, in a firm, motherly way, that medical decisions are made by the pros and here’s how we’ll manage the oxygen for the remainder of your stay. The girl hangs her head and nods.

The moments after rounds, before the next issue presents itself, offer a chance to head down to the first floor food court for a snack. As Dr. G stands in the register line, her pager beeps. She checks the number and heads up to the third floor office suite she shares with her partners and staff. She phones the person who paged her and, in a flash, it’s out the door and back to the echo lab, a half-eaten banana left behind on her desk.

Two weeks after my first visit to the echo lab I stood to the side again, this time better able to make sense of some of what Dr. G and the cardiologists discussed as they looked at the screen. Eleven-month old Claudia’s diagnosis was Tetralogy of Fallot (TOF), a syndrome with four separate cardiac abnormalities:

1) Ventricular septal defect (VSD) — a hole in the wall between the two ventricles;

2) Overriding aorta — the aorta is not positioned properly on the heart;

3) Right ventricular outflow tract obstruction — for any of several possible reasons, the blood flow to the lungs is restricted, leading to:

4) Right ventricular hypertrophy, (which surgeons pronounce “hy-PER-tro-phy”) — a dangerous buildup of the right ventricle’s musculature.

Claudia has alarming episodes of cyanosis where her lips, fingers and toes turn blue because her oxygen saturation rate becomes dangerously low. She also has what are called “Tet spells,” when her oxygen level drops so low that she loses consciousness. The preoperative indications of most concern to Dr. G are an extremely small pulmonary valve, which leads from the right ventricle to the pulmonary arteries; the significantly thickened muscle bundle below the valve; and the somewhat larger than average VSD.

Thirty minutes later we were walking down a second floor hallway toward the operating rooms. Dr. G walked quickly, straight ahead, focused. She was getting her game-face on.

 

10:30 AM

OR 5

Claudia lay motionless on the table in the center of the OR, her head sticking through a hole in the draping around her neck. It’s visible to the anesthesiologists seated at the head of the table where they are concerned with the numerous gauges, medicines, inhalation gases and monitors at their fingertips. They’re also in charge of tilting the table at the surgeon’s request, to put the patient at a more favorable angle, because the motorized table can be raised, lowered and tilted to various angles at the touch of a button.

(Example of pediatric cardiothoracic humor —A flight attendant goes on the p.a. and asks if there’s a pediatric cardiac anesthesiologist on the plane. There is one, in the rear of coach. He signals the attendant and asks what the trouble is.

“There’s a pediatric heart surgeon in first class. He wants his tray table lowered.”)

The scrub tech stands at the opposite end of the table, facing a series of trays that hold an array of odd looking tools; forceps for picking up or grasping things; scalpels that slice through human flesh as if it were air; sutures (thread) finer than human hair, attached to small needles curved like fish hooks. The scrub tech is the right hand person to the surgeon, responsible for pulling instruments and supplies for the operation, knowing what the order of the operation is, and arranging everything in the most efficient format for this particular surgery and this particular surgeon. Dr. G knows that when she calls for an instrument, the proper one will be there in a flash. Often, it will be offered to her before she has to make the call.

A six-foot-by-six-foot metal frame sits to one side of the operating table, containing gauges, canisters, and clear plastic hoses. This is the cardiopulmonary bypass machine —“the Pump.” This technology will serve as Claudia’s circulatory system while her heart is stopped for repairs. Developed in the 1950’s, modern bypass machines still use hoses much like the beer keg tubing in the first experimental models. The two specialists in charge of operating the pump, the perfusionists, sit at the machine.

The small patch of Claudia’s chest that’s visible is covered with a material called Ioban, plastic coated with iodine in a further effort to reduce any risk of infection during surgery. Dr. G will make a tiny incision to get at this heart that was compromised in utero by Tetralogy of Fallot. To give you an idea of the progress of medical knowledge, TOF was first medically described, though primitively, in 1672. Two hundred years later Etienne Louis Fallot, a French physician, described the clinical pathology of the condition, but the first surgical treatment for TOF wasn’t available until the late 1940’s. Dr. G, ever the teacher, drew a diagram of the surgery for me before she scrubbed in.

After scrubbing, Dr. G re-enters the OR with hands and forearms still wet. She dries with sterile towels provided by a scrub tech who then helps her into a surgical gown and gloves. She wears loupes over her cap. They look like small telescopes growing from each eye, and they give her a magnified view of the tiny area in which she’s working. A fiber-optic cable runs up her back, over the top of her cap and onto a small, bright lighting instrument/video camera at her forehead, to light and televise what she sees to monitors hung around the OR. Dr. G is at the center of the sterile area, where only those who scrub in can go. The rest of us, wearing surgical masks and caps in addition to our scrubs, have to stay away from the table. She climbs up on a small step stool to get her five-foot frame high enough above the table to work easily, without making her taller assistants bend over.

She takes a scalpel and makes a four cm incision in Claudia’s chest. Next, she cuts the breastbone open with a small saw and puts retractors in place to hold the ribs apart. The first object Dr. G encounters inside Claudia’s chest is the thymus gland, a small, flesh-colored organ. It has some minor involvement with the lymphatic system, but it gets in the way of open-heart surgery, and you can live without it. So the gland is removed and discarded.

Dr. G takes an electronic scalpel called a “Bovie,” which cauterizes as it moves through tissue, keeping bleeding to a minimum. She cuts the pericardium, the sac-like membrane containing fluid that lubricates the heart. The pericardium has extra meaning for Claudia. Dr. G precisely excises a small portion of the sac and places it in a dish containing 0.6% glutaraldehyde, a preservative fluid. She’ll use this patch later to close the VSD, the hole between Claudia’s ventricles that failed to seal itself properly at birth. She works around the small space filled with tiny body parts, freeing up the aorta and the pulmonary arteries from the underlying tissue. Claudia has been given heparin, an anticoagulant, so that her blood is less likely to clot when it goes through the pump. Dr. G inserts cannulae, small tubes, into the aorta and the vena cavae. The other ends of these tubes are attached to the pump, connecting to Claudia’s circulatory system. Because Claudia has very small blood vessels, the work is delicate and precise, and the tubes they need for this bypass, like the vessels in Claudia’s chest, are extremely narrow. Her cannulae are smaller than the width of a ballpoint pen.

The mood in the OR shifts at various moments. Dr. G has been casually introducing me to the OR team while routine work is going on — as routine as heart surgery can be. But when the cutting starts, the room goes quiet. Dr. G hovers over the small body on the table, staring down into the chest she has cut open. The view from the camera attached to her loupes doesn’t shake on the OR monitors. She’s a human tripod.

The perfusionists are cooling Claudia’s body down to 28 degrees Celsius, 82.4 Fahrenheit, to slow her metabolism and protect her heart. Hypothermia lowers the amount of oxygen the brain requires, giving the surgeons time to perform the needed repairs. They aid this chilling process by turning the temperature in the OR down to 64 degrees, so cold that several people drape their shoulders with blankets from a nearby warmer.

Dr. G clamps the aorta, and blood stops flowing to Claudia’s heart. Dr. G tells the perfusionists to run the cardioplegia, a solution of chemicals inducing cardiac arrest. In order to operate on the heart they must intentionally cause something that usually kills when it happens on its own. The cardioplegia solution includes potassium chloride, one of the chemicals used in lethal injection executions. Claudia’s heart stops beating and the blood exits her vena cavae into the bypass machine for oxygen, returning to her body through the cannula inserted just above the clamp on the aorta. Her heart and lungs have been turned off. There’s no more beeping or EKG activity on her monitor. She has flat-lined. When the patient goes on pump the heart is like a water balloon with the water let out. It changes in shape from full and throbbing to flat and motionless. The only way to repair Claudia’s heart is to stop it and empty it.

The first task is to examine the heart to see if the preoperative diagnosis is correct. Dr. G uses delicate instruments to retract portions of the tricuspid valve and examine the extent of the defect of the ventricular septum, the wall between the two ventricles. She determines the exact size and shape of the VSD and trims the segment of pericardium she saved earlier in preservative. She cuts miniscule pieces of the pericardial tissue and sutures them along the walls of the VSD, creating anchor points for the actual covering. Each suturing is an intricate dance of fingers and forceps, needle and thread. Dr. G works with a small, hooked needle, grasping it with forceps, inserting the needle through the tissue, releasing and re-gripping with the forceps, pulling the hair-thin suture through, using a forceps in her other hand to re-grip the needle again and repeat. The pericardial tissue being sewn over the VSD has to be secure, and it has to stand up to the pressure of blood pumping through Claudia’s heart at the end of the operation. This isn’t like repairing knee ligaments, which can rest without use and heal slowly. Claudia’s heart is going to restart at the end of this operation, and whatever has been sewn into it has to hold, and work, the first time. The VSD repair involves cautious work around the tricuspid valve, and their proximity is a concern because the valve opens and closes along the ventricular septum with each beat. Dr. G and her team find that it’s preferable to actually divide the cords of the tricuspid valve to better expose the VSD. After the patch is fully secured, the tricuspid valve is repaired.

Things don’t go as smoothly during the attempt to repair the pulmonary valve. When Dr. G looks inside Claudia’s heart she discovers that the pulmonary valve is not nearly large enough, and it’s malformed. It only has two flaps where there should be three. She repairs it by what she later says is “just putting in a little transannular patch.”

Here’s what it’s like to “just” put a transannular patch on the pulmonary artery of a child as small as Claudia:

First, take a piece of well-cooked elbow macaroni. Tuck it away in a bowl of pasta that has a bit of residual marinara sauce still floating around in it. Take several different sized knitting needles. Slowly, without damaging the macaroni, insert one of the knitting needles into it to see if you can gauge the width of the macaroni on which you’re operating. Then using a delicate, incredibly sharp blade, cut a small hole in the piece of elbow macaroni, maybe a little larger than the height of one of the letters on the page in front of you. Now use pliers to pick up a small needle with thread as fine as human hair in it. Use another pliers to pick up a tiny piece of skin that looks like it was cut from an olive, so thin that light shines through it. Take the needle and sew the olive skin on to the hole you’ve cut in the piece of macaroni. When you’re finished sewing, hook up the piece of macaroni to a comparable size tube coming from the faucet on the kitchen sink, and see if you can run some water through the macaroni without the patch leaking.

That’s the food analogy. Those are the dimensions Dr. G worked with as she patched Claudia’s pulmonary artery. She made it a little wider to give it a chance to work more efficiently, to transport more blood with less blockage, requiring less work for the right ventricle so that the built-up heart muscle could return to a more normal size. It wasn’t the repair she’d planned to make, but it was the most suitable under the circumstances, and it gave Claudia her best chance.

Before restoring Claudia’s natural circulation, the team makes certain that no air is in the heart or the tubes from the pump, because it could be pumped up to the brain. Air in the brain is not a safe thing. When all the repairs are completed, Claudia is rewarmed and weaned from the bypass machine. She was on pump for 114 minutes and her aorta was clamped for 77 minutes, not an extraordinary length of time in either case.

Claudia’s heart starts up on its own, with a strong rhythm. With her heart beating again the beeps, and the peaks and valleys on her monitor return. All is well. An echo technician wheels a portable machine into the OR and puts a sensor down Claudia’s throat where it lodges behind her heart to perform a transesophageal echo —a more detailed view than the normal, external echo. Everything looks good. Chest drains are put in to handle post-operative drainage, and wires are placed for external pacemakers, should anything go wrong with Claudia’s heart rhythm during her recovery from surgery. Dr. G draws Claudia’s ribcage back together with stainless steel wires, perfectly fastened and tightly tucked down.

Claudia and the surgical team return to the CVICU, and Dr. G monitors her reentry to the unit, making sure the nurses understand Claudia’s condition and the proper procedures to be followed for the next 24 hours. From there, Dr. G enters a small room tucked away from the noise of the unit to meet with the family. Claudia’s mother, father, and aunt are waiting. Dr. G sees Mom wiping tears away.

“Are you crying? Oh, no, no need to be crying, everything is fine.” Her wide smile reassured Mom, who put away her tissues.

She tells the family what she did, and why she did it, using a serviceable mixture of medical and lay terms.

“I got in and saw the valve and it was really abnormal,” Dr. G tells the family, “really, really small. It only had two leaflets, and that’s not good, it’s supposed to have three. So I did a little transannular patch through a mini-sternotomy, which is really good for her — much smaller scar. Her echocardiogram was beautiful. There’s no hole where we closed her VSD. We know there’s another small, little hole in the muscle, but we all agreed that because it’s in the muscle it’s going to close on its own, so we won’t worry about it. My plan is, once she wakes up later today, to get the breathing tube out.”

There is a noticeable sense of relief evident on the family faces, even though one or two of the terms may have been unfamiliar. Then, comes the caveat.

“The arteries that go to each lung are a little bit small. She’ll need to have a pulmonary valve at some point. Some people need one not so long from now. Some people go a good portion of their lifetime without needing one. My brother had this same surgery when he was little, and he still hasn’t had a new valve put in yet. But he will some day.”

The simple fact that her brother had similar surgery seems to put the family a little more at ease. They know Dr. G has been on both sides of the equation, and she can relate to their anxiety.

 

From there it was off to a brainstorming session with the architects designing new cardiac surgery suites. They wanted staff input on what should go where, how far the doors should be from the operating tables, etc. In the OR, a matter of a few feet can mean the difference between life and death.

Lunch came at 3:30, which can actually be early in Dr. G’s world. She debriefed herself from the surgery as we ate, describing to me what had taken place. She would later dictate all this for the official surgery report in medical terms such as, “The right-sided pericardium was fenestrated to approximately 1 cm anterior to the right phrenic nerve.” It may be true that “the heart has reasons which reason knows not of.” It also has a language that’s pretty hard to understand as well.

I told Dr. G this was my first time in the OR and I couldn’t believe I’d just seen a kid’s heart beating inside her chest.

“You’ve never seen that before?” she asked me.

I reminded her that I’d spent the last 30 years as a sportscaster.

“It’s not exactly the kind of thing you see in the Dallas Cowboys locker room.”

She was genuinely surprised at my sense of wonder.

The rest of her day consisted of phone calls, emails, consults with other surgeons, afternoon rounds through the CVICU (which move more quickly than morning rounds, as these are just for checking up on each patient one more time), and the never-ending battle with paperwork.

On rounds at 7:30 tomorrow morning, Dr. G will check up on Claudia to see how she’s doing. That’s assuming she makes it through the night easily. If problems develop, it’s likely Dr. G could spend the night here with her.

“We eat stress like M&Ms in here,” said Dave Bartoo, her surgical tech this day.

This is where Dr. Kristine Guleserian repairs the tiny hearts of tiny children.

Come on in.

 

 

About the Author

Mark Oristano

Mark Oristano has been a professional writer/journalist since the age of 16.

After growing up in suburban New York, Oristano moved to Texas in 1970 to attend Texas Christian University. A major in Mass Communications, Mark was hired by WFAA-TV in 1973 as a sports reporter, the start of a 30-year career covering the NFL and professional sports.

Mark has worked with notable broadcasters including Verne Lundquist, Oprah Winfrey and as a sportscaster for the Dallas Cowboys Radio Network and Houston Oilers Radio Network. He has covered Super Bowls and other major sports events throughout his career. He was part of Ron Chapman’s legendary morning show on KVIL-FM in Dallas for nearly 20 years.

In 2002 Oristano left broadcasting to pursue his creative interests, starting a portrait photography business and becoming involved in theater including summer productions with Shakespeare Dallas. He follows his daughter Stacey’s film career who has appeared in such shows as Friday Night Lights and Bunheads.

A veteran stage actor in Dallas, Mark Oristano was writer and performer for the acclaimed one-man show “And Crown Thy Good: A True Story of 9/11.”

Oristano authored his first book, A Sportscaster’s Guide to Watching Football: Decoding America’s Favorite Game. A Sportcaster’s Guide offers inside tips about how to watch football, including stories from Oristano’s 30-year NFL career, a look at offense, defense and special teams, and cool things to say during the game to sound like a real fan.

In 2016 Oristano finished his second book, Surgeon’s Story, a true story about a surgeon that takes readers inside the operating room during open heart surgery. His second book is described as a story of dedication, talent, training, caring, resilience, guts and love.

In 1997, Mark began volunteering at Children’s Medical Center in Dallas, working in the day surgery recovery room. It was at Children’s that Mark got to know Kristine Guleserian, MD, first to discuss baseball, and later, to learn about the physiology, biology, and mystery of the human heart. That friendship led to a joint book project, Surgeon’s Story, about Kristine’s life and career.

Mark is married and has two adult children and two grandchildren.

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First Chapter Reveal: The Feet Say Run by Daniel A. Blum

The Feet Say Run

Title: THE FEET SAY RUN
Author: Daniel A. Blum
Publisher: Gabriel’s Horn Press
Pages: 349
Genre: Literary Fiction

At the age of eighty-five, Hans Jaeger finds himself a castaway among a group of survivors on a deserted island. What is my particular crime? he asks. Why have I been chosen for this fate? And so he begns his extraordinary chronicle.

It would be an understatement to say he has lived a full life. He has grown up in Nazi Germany and falls in love with Jewish girl. He fights for the Germans on two continents, watches the Reich collapse spectacularly into occupation and starvation, and marries his former governess. After the war he goes on wildflower expeditions in the Alps, finds solace among prostitutes while his wife lay in a coma, and marries a Brazilian chambermaid in order to receive a kidney from her.

By turns sardonic and tragic and surreal, Hans’s story is the story of all of the insanity, irony and horror of the modern world itself.

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First Chapter:

If there is an actual name to this island, it is unknown to us. We have chosen to call it Illyria. We’re not exactly sure where the name comes from. Some book perhaps. But it no longer matters. It has become our own—mythic and melodic-sounding. As though, if we keep calling this place Illyria, keep pretending it has some magical allure, people will want to come. Someone will come rescue us.I am not complaining, particularly. Well, maybe I am. But I probably shouldn’t be. So far fate has proven a fair enough agent. The beaches are sandy, the water clear and turquoise, the reefs plentiful. The island is wreathed in a soothing white foam. On shore there is the shade of palms and palmettos and eucalyptus. At least we think it is eucalyptus. We call it eucalyptus. Maybe it is just some kind of fancy magnolia though. Who the hell knows?

There are fruits in relative abundance—though what they are, we aren’t sure. Some are purple. Others are yellow. Some vaguely sweet, others sharp and abrasive on the roof of the mouth. There is a variety of coconut that grows in conjoined pairs to look like the buttocks of an African woman. We call this ass-fruit. When I offered some to Conrad, he said to me, “I’m not into that shit.” As though I were suggesting something perverse. As though fear of this fetish object outweighed the need for sustenance.

“What shit are you not into?” I asked.

“Ass fruit,” he said. “Ass.”

“It’s not real ass, Conrad,” I said.

“Well, it’s not a real fruit either,” he said.

“What do you think it is then?” I asked.

“A joke,” he said. “A sick joke. Like the rest of this place.”

 

God is playing a joke on us. That is a common theme here. It was funny the first time someone said it. Now it is just annoying, like a child saying, “knock-knock” to you over and over, more and more emphatically, as you refuse, just as emphatically, to ask, “Who’s there?”

The other common theme here is that none of it is real. We all died when the boat went down. And this is all just a dream. Conrad suggests this a couple of times a day, each time choosing a different angle, a different inflection, in a vain attempt to keep the joke fresh. If you suggest, gently, that this joke no longer strikes you as uproarious, Conrad will immediately jump into a long denial that he is joking. “I’m not fucking kidding,” he will tell you. “I really mean it. I think this is all a dream.”

Perhaps Conrad is right. Because honestly, I did not believe, until my current predicament, that deserted islands still existed. I thought these islands were all owned by former tennis pros and former tyrants, or inhabited by caricatures of primitive tribes who sell carved bamboo flutes to flabby tourists in checkered shorts.

If it is a dream, if this is my Land of Oz and I am soon to wake up, then it is curious how, from time to time, little bits of Kansas wash up upon our shores. Whenever we wander further down the beach, away from our settlement, we find Styrofoam packing peanuts, Styrofoam bowls, #3 plastic take-out containers with their familiar, triangular recycle symbols (apparently the previous owners of these containers ignored this particular environmental imperative).

The restaurant take-out containers are the most distressing. More mockery from The Almighty. More of his levity. Ha ha. We bring them back to our camp and wonder what twenty-first century foods they once held. Pad Thai or Kung Pao Chicken or Shrimp Korma. From some restaurant from the other world. Thank you, God, for delivering us this practical joke. Ha ha. You’re fucking hi-lar-ious.

In truth though, these containers have become invaluable to us. We eat out of them, wash them out at the little pool in Piss Brook, store our meager salvaged supplies in them. If there is truly one thing we should thank God for, it is those non-recycling sinners.

In our first days here, we found a means of killing a dove-like bird that is here in abundance. We creep up on it quietly, then all at once we start hurling rocks at it from all directions. It is the same low-tech technique the Iraqis used for shooting down American planes in our first Gulf War. Just throw up flak in every direction and hope something falls out of the sky. Actually that is something else that I am no longer sure is real. Gulf War I. In my current, delusive state, I am no longer clear whether it really happened, or was some very popular video game, and Gulf War II was just the long-awaited next release, with its improved graphics and better villains and four-and-a-half star rating. Perhaps, since we have been here, Gulf War III has broken out. Or been released.

But back to the doves. With the doves, this method worked once in every ten or twenty tries. Moreover, some of us were hit by rocks. Conrad compared us to a circular firing squad. And for the effort, we each got no more than a single bite of precious meat.

Frigate birds watch us from high overhead—out of range of our stone-age weapons. There are also pelicans and sandpipers along the coves. But the only other bird we have succeeded in slaughtering—a heron of some sort—tasted much like a discarded sneaker might taste. There are also lizards and little pencil-sized snakes, but thus far we have passed on these particular specialites de la region.

So much for Illyria’s fauna. Now a word or two on the topography. The interior has proven rocky, thick with vines, and difficult to penetrate. There is a single volcanic peak in the middle, which we call Mount Piss. We call it this because the streams that run down from it are of a yellowish, sepia color—piss water. This includes our drinking source, the much despised and much revered Piss Brook. It is probably just some dissolved mineral. Iron would turn it orange. Maybe zinc? Who knows. The taste is strong and unpleasant, but it is moderately cool, given our subtropical latitude. It is keeping us alive. Probably, if we could contact the civilized world, we could bottle it and sell it for its curative powers and make great mountains of money.

Our first shelter was rigged out of bamboo and palm fronds. It was set on the beach, and we soon learned there was no way to keep out the sand crabs. They came out in large numbers every evening. It would have been one thing if they scampered in from outside. But it was stranger than that. They just rose up through the floor of sand. They tunneled in, materialized among us, little uninvited sprites, climbed up out of the ground like the living dead and crawled across us as we slept.

“We’re not high enough above the water,” Cole said. “What if a storm comes up?”

“He’s just afraid of the sand crabs,” Conrad said to me, snickering.

“The first really high tide will wash us out,” Cole said, ignoring the snickers.

“He’s right,” Monique said. Although her vote meant little. She is Cole’s lover, and seemingly agrees with everything he says and does. If he becomes the de facto king of our little group of seven, which now seems likely, she will be our queen.

Our next shelter was built just above the beach, using a cliff face for one of the walls. It was roomier, and easier to close off from the creatures. It was quieter too, farther from the surf. But that was worse, in a way. Because now you heard all of the human sounds more precisely. Cole snoring. Gloria talking in her sleep. My own imperfectly muffled farts.

One night, a rain came and our new shelter was tested. At first we just felt a kind of mist, soft and cool, that had found its way through the thatch. But then it got heavier. Droplets.

There were groans. Curses. Aborted snores. Rustling.

And then it was no longer just droplets raining on us. It was the cliff itself. Mud from the cliff started slopping on us. Little shit bombs. Dripping through our roof. It was raining crap. “Fuck!” Conrad shouted. And it was an accusation, directed at Cole, who had chosen this location.

Another splat. Another curse. And then we were all up, groaning and cursing our miserable fate—surely the world’s very last castaways, on what is surely the world’s last desert island, somewhere mysteriously out of reach of our GPS-bound, cell-towered, trawler-traversed global village.

Maybe Conrad was right. God, that sadistic little prick, was playing some kind of joke on us. God was the house cat and we were his mouse and he was taunting his mouse over and over, carrying it and dropping it and picking it up again, half-swallowing it and regurgitating it and kicking it like a soccer ball, before finally disposing of it.

So it’s shitty metaphor. What can I say?

We got up in the middle of the night, abandoned the shelter, huddled together on the beach. We were sunburnt and bitten, chilled and miserable. Hungry, filthy, greasy-haired, exhausted. Tears mixed with the downpour; our pathetic, mortal cries with the thunder of heavens.

After a while the rain stopped. We sighed, calmed, leaned against one another. Relief. Then it started again. There were no more tears by then. Just silent misery. Half-sleep. Each of us with his or her own private thoughts. My thoughts were of Dawn. (I am capitalizing Dawn not as a statement about the mystical meaning of sunrise. In fact I am not referring to the sunrise at all. I am referring to one of our company, Dawn, the youngest in our party—a nineteen-year-old girl who had won my sympathy. But I am getting ahead of myself.)

When Dawn finally came (sorry, this time I am referring to the sunrise), we straggled up and pretended—as one does on a red-eye flight when the lights pop on—that we’d actually had a night’s sleep. Only there was no stewardess, no orange juice and coffee, no magical, mile-high toilet to whisk away the miserable night’s rumblings in a screaming blue swirl.

Just another day here on Illyria.

This is my question about aboriginal peoples. Did they always feel as short of sleep, as exhausted and worn out, as we always feel? Or did they find a way to sleep through all of those night sounds and crawling things, hunger pangs and gas-emitting neighbors?

Our third shelter was set on a long, flat rock, above the waves and a half-mile down the beach. It is interesting how quickly one develops a sense of home. Just moving that half-mile seemed unsettling. An unwelcome abandoning of the familiar. We filled empty ass-fruit shells with sand and carried them up to our rock to soften the floor for sleeping. And by adding more overlapping layers of thatch than we had before, by covering it with a paste made from clay and eucalyptus sap, we managed to keep dry inside. We called our new residence Versailles.

By then, the inevitable had happened. Cole was our leader. We hadn’t exactly chosen him, and he had never asserted his authority directly. It just happened.

Was he wiser than the rest of us? More generous? Had he provided for us in some impressive way? No. He possessed what Human Resources questionnaires refer to as leadership qualities. And most of us, let’s face it, are natural followers.

It started with his suggestions. We should do this. We should do that. We should set the shelter closer to the brook. The women should gather the fruit. “You!” he would say, narrowing his eyes at Andreas, “Work on finding firewood.” It was as though he had been waiting all his life to play this role, to have the chance to tell someone to gather up the firewood. And of course it was natural to direct his first order to Andreas, who had been in his employ on the yacht before it went down. And then from there it was easy to direct “suggestions” to the rest of us.

We are a pack of primates. And Cole is our alpha male. Tall, burly, handsome in a bushy-browed sort of way. Real estate developer in his previous life. Resourceful man of the jungle in our present life. Dipshit in both lives.

With his background in real estate, so he insinuated, it was only natural that he should oversee the construction of the shelters. And though the connection seemed tenuous, nobody challenged him. Conrad, who in our previous life was Cole’s cousin, despises him. For myself, I dislike him as well, but more or less indifferently. I see that he is only of average intelligence, perhaps slightly more self-centered than what might be considered average. He is lacking in irony, introspection, humor, really anything that might make one actually like him. But I am too old to worry about these things. I have seen too much of humanity—and at its very worst. Let someone else figure it out. Just tell me what you need me to do and leave me alone and don’t ask me any questions.

Our next construction project was a dove coop. Gloria, our kindly widow (yes, dear reader, it goes without saying that our group is made up of “types,” a microcosm, as it were, of humanity at large, and that one of these types, inevitably, must be our kindly old lady), had the ingenious idea of raising doves rather than just throwing rocks at them.

“Good plan,” Cole said, nodding wisely, and somehow managing, in his nod, to demonstrate the importance of his judgment. His ratification.

It was a big step for us. Our move from a hunter-gatherer society to an agrarian economy. But it was something else also. A recognition that we might be here for a while. That we had to plan for a future. And for me it was a recognition of this:

I am done running. I am here now. There is nowhere left to go.

 

With great effort, we caught three of these birds alive—surrounding them and dropping a heap of branches on them. We put them in our coop.

“What if they’re all the same sex?” I asked.

“I don’t think they’re all the same sex,” Cole said.

“Why not?”

“That one looks like a girl.”

“Why do you say it looks like a girl?” I asked, wondering if Cole had noticed a wiggle to its tail, a shape to its figure.

“It’s more colorful,” Cole said.

“The male birds are more colorful than the females,” I said. I am no John James Audubon, no Roger Tory Peterson, but I believe I am right in this.

“Either way,” Cole said.

We turned the birds over, looked around their tails, but could find no conclusive evidence of maleness or femaleness. Then one morning Conrad called us over. Two of the doves were dead. The third, the apparent victor, seemed to have been bloodied.

“Maybe they were all males,” I said.

“Or maybe with doves it’s the girls that do the fighting,” Cole said.

I was skeptical of this, caught Conrad’s eye.

“Just because the males are colorful, doesn’t mean they’re girly,” Conrad said.

“So much for doves being symbols of peace,” I said.

“Unless of course they aren’t really doves,” Dawn offered up.

We all looked at her. It was rare for Dawn to speak up among the group.

“True,” I said. Because it’s not as though Dr. Doolittle is here with us and can just ask him if they are doves. Or Crocodile Dundee. Or whomever. What we know, or think we know, about the rain forest, we have learned from the packaging on our health supplements and our beauty aids and our enviro-friendly paper towels. The TV shows that bring wild nature into our living room. Here, high in the cloud forest, the spectacled monkey is tending to her young. The little ones will need to learn much if they are to survive the harsh winter. Actually, scratch that. No harsh winters in the cloud forest. But you understand my point.

Though bloodied, the dead doves still had meat on them. We brushed off the ants and flies, washed the corpses off in the stream, put them on the barbeque spit.

In the next days, we caught more doves. This time we observed the brush they pecked at in the wild and brought them piles of it. And we separated the doves into pairs that appeared to be of opposite sex. And lo! Dove eggs started to appear. Like magic. Like Easter eggs. Like…actual…eggs!

In time, one of this second set of doves died too. This time though, apparently, it was from natural causes (strange phrase: natural causes. Because what could be more rooted in nature than being pecked to death?) But we nonetheless had eggs. And while we ate some, we left some of them alone. And one day we witnessed the miracle we had dreamed of, but never quite believed we would see—a little beak pecked through one of our eggs, pecked its way out into the world. Within a couple of weeks we had a little collection of chicks. We had done it! Our poultry farm had been born!

Again we returned to our construction. Our next project was a little shelter along a rocky outcrop, to protect us from the sun when we were fishing and crabbing. And then Cole and Monique decided they wanted to sleep in privacy. So we built a second shelter alongside Versailles that we called Fontainebleau.

“Why,” Conrad grumbled, “should we be putting all this time into another shelter just so that dirtbag and that douchebag can go at it in private?”

I wondered what you get when you mate a dirtbag and a douchebag. There must be a good punch line. Please write me if you think of one. 1 Delirium Terrace. Illyria. Earth. 02483-7676. to insure proper handling, be sure to include a self-addressed, stamped envelope. And a life raft.

“Well,” I said, “the next shelter we build after that could be for you.”

“Yeah,” Conrad said, “but it’s not like there’s anyone I’m likely to be screwing.”

“Well don’t you want to be able to pleasure yourself in private?” I asked.

Conrad looked uncomfortable at this, but said nothing.

“And won’t it be nice to be rid of them?” I asked.

Personally, I was relieved when Cole and Monique moved out. It had grown tiresome, those nights they waited until they thought everyone was asleep and then started moving and rustling, whispering and slurping. And then those guttural sounds, like a pair of native frogs. Only nobody was ever really sleeping during their nocturnal choruses. We were all just pretending we were asleep. All too uncomfortable to say anything about it. To interrupt them.

“I think it actually turns them on,” Conrad used to snarl. “They know we know they’re going at it. And they know we know they know.”

“It’s difficult,” I say.

“I’m saying something next time.”

And he did. A couple of nights later we started to hear it again. Unmistakable. Rustle. Breath. More rustling. Sighing. Frog calls.

“Hey Monique,” Conrad called. “Can I get some of that?”

Suddenly the sounds stopped. Silence. The whole shelter went silent. Pretended to sleep. Like even Monique and Cole were asleep and the only one awake was Conrad and nobody had heard anything at all—the grunting or Conrad or anything. Monique and Cole frozen in flagrante delicto. A final rustle. Monique discreetly slipping off her little pole of Cole. Then more silence. Everyone pretending sleep. Until we actually were asleep. One by one. Like in that children’s story.

 

Goodnight Cole.

And goodnight Pole.

And goodnight, o empty soul.

Goodnight stars.

And goodnight air.

Goodnight misery everywhere.

 

Two days later Cole began organizing work on Fontainebleau. He must have waited an extra day so it wouldn’t be as obvious why he was doing it—that it was related directly to Conrad’s comment. Since we were all pretending we had never heard it.

Bit by bit, Cole has seemed to be developing the island. I imagine that, if a rescue ship ever comes, while the rest of us are celebrating, weeping for joy, he is going to take them for a tour, show them all the improvements, try to sell his development for a profit.

For Conrad, the last straw was one morning when Cole put up a great big bamboo cross over our little encampment.

“It’s embarrassing,” Conrad complained, pulling me aside.

“Embarrassing before whom?” I asked.

Conrad thought about this. “What would a pilot flying over us think, looking down and seeing that?”

“I don’t know,” I said.

“They’d think we’re…we’re fucking missionaries.”

“I haven’t noticed any planes,” I said.

“Well, it’s still embarrassing.”

“I have given up on embarrassment,” I said. “At my age it is pointless. I am who I am. Let the pilots think we’re missionaries then.”

“We’re castaways!” Conrad said, as though asserting membership in some privileged class.

“Doesn’t it strike you as odd,” I asked, “that we are a thousand miles away from civilization, and you have brought with you to this place that one absurdity of living in a society. Self-consciousness? Embarrassment?”

Conrad didn’t hear me, though. He looked off in disgust. “What gives him the right? He just does whatever he wants. Without asking anyone. After all that shit about making decisions as a group. I knew it was all bullshit.”

“Just think of it as a couple of big sticks,” I said. “It doesn’t have to be a crucifix. It doesn’t have to mean anything.”

“It crosses the line,” Conrad said. “You know what it is? It’s state-sponsored religion. How does he know we all believe? How does he know some of us aren’t atheists? Or Jews? Or Hindus?”

Conrad, in his past life, was a labor lawyer or something. An advocate of some poorly-paid group, or class, or underclass. “You don’t look like a Hindu,” I told him.

“That’s stereotyping,” Conrad said.

I considered this, puzzled, but didn’t pursue it. “Maybe you should talk to him about it,” I said.

“Right in the middle of the camp!” Conrad exclaimed, still smarting. “That’s the problem. It’s like…government fucking property. He should have put it up somewhere else. In front of his shelter.”

From what I can tell, the Sovereign Nation of Illyria is about evenly divided between Republicans and Democrats, three of each with one independent—your humble chronicler. We have no social safety net, no taxes, a total lack of laws that would make a libertarian proud. On the other hand, our foreign policy is aimed at peaceful coexistence with our neighbors. And we consider ourselves to be pro-environment. For example, there is no peeing in Piss Brook. Strictly enforced. And we have started husbanding our excrement for the precious resource that it is, and putting it to use it in our farming experiments. You see how this place is the very inverse of our past life? Civilization in negative? Here our very stools—the quintessential waste product—are a measurable portion of our net worth.

It is remarkable how seamlessly our political disputes have moved from our former life into this one. Cole and Conrad still argue about tax policy, for example. And what to do with illegal immigrants. Although, should we die here, as I assume we will, it is unlikely any of this will ever matter again. You see the absurdity, the futility of these arguments we engage in? We have no problem of illegal immigration on Illyria. Nobody has shown up offering to do our laundry or to bag our groceries.

I find myself wondering: if a mutiny were to occur, with whom would my loyalty reside? True, I don’t like Cole. I don’t respect him. Only I don’t think Conrad would be a very good leader. Of course, Conrad and Cole are not the only two possibilities to lead us. There is Andreas—shy, handsome boy of twenty who had been the deckhand and cabin-boy on the yacht. He is bright and level-headed, from what I see, and the only one of us who does not appear to be suffering, who seems to see this as just an extension of his summer, a further break from college. What comforts does one need, after all, at age twenty?

Or perhaps we should try a matriarchal structure, like the Samoans had. Choose Gloria, chattering old lady, as our chieftain. Gloria is perhaps seventy, a widow, grandmother to a dozen grandchildren. She smiles when she speaks of them. The oldest is a lawyer with the Justice Department. The next oldest has a very high grade point average at Temple University. She had been knitting a sweater for her youngest grandchild when the boat went down, and somehow the wool made it onto the lifeboat. She washed it out and dried it and has continued with her project.

One night I am next to her by the fire as she holds the sweater up, imagines her grandchild inside it, considers the proportions.

“Very handsome,” I say.

“Yes,” she says. “Too bad he will never have it.”

“If you believe that,” I say, “then why continue with the sweater?”

“Well, I have to do something,” she says.

“Of course.”

“You have children? Grandchildren?” she asks.

“I have a son.”

She looks understandingly into my eyes, as though she knows what I feel. Only how could she know? “He must be suffering at losing you,” she says.

“I haven’t seen him in thirty-five years,” I say.

“Oh,” she says with a start, and politely changes the subject. “I think it must be harder on the young ones. I mean, we’ve had our time. Right?”

I have to admit I resent slightly Gloria’s intimations that we have something in common in our accumulated years. That we must share the same values. I must be as good, as upstanding, as resigned to death as she is. Gloria worked as a cafeteria lady in a local elementary school, was our cook on the yacht, and is our cook again on the island. She has a stocky stature, and I always imagine her in her white cafeteria uniform, arms folded under her shapeless, megalithic breasts, looking out over the children. The hairnet and sagging stockings, the cakes of flour-white make-up.

She has a slap-your-hands-together, let’s-get-down-to-business kind of spirit about her, is chipper in a way that I find unnervingly mindless, as though she is dealing with the seven-year-olds at her school, and—aside from some greater understanding of responsibility—is much at their level. I see her helping out on some field trip, there in the back of the bus, happily, even joyously, singing Ninety-nine bottles of beer on the wall with the children. I can safely say that nobody here on the island has warmed to her in a way that I imagine the singing children might have.

Has Gloria considered me as a possible object of romantic interest? Clearly, I am not capable of this, not merely because we have nothing particularly in common, but because my heart already belongs to another.

I have yet to say much of myself, so let me offer a few words here. I am a man in his eighties. My name is Hans. The hairs on my head have been reduced to a few scattered strands, sparse as the hairs on a coconut or the hairs on a testicle. I am a refugee, a wanderer, a retired refrigerator salesman, human organ dealer, warrior on the wrong side of history. I am in love with a nineteen-year-old girl. I am speaking, of course, of the aforementioned Dawn.

Dawn, Dawn, Dawn.

Dawn is Cole’s step-daughter. Of course, if the others knew my feelings for her they would be shocked. Or if they weren’t shocked, they would at least feel obliged to pretend to be shocked.

And yet it is true. I am in love with a nineteen-year-old child. And what of it? Why should such feelings be wrong in an eighty-five-year-old and not in a twenty-year-old? At what age does it become wrong to love? Wrong to yearn for youthful beauty? Or do you doubt that I am capable? Let me say that I have been assured by professionals, by those who should know, that I have the genitalia of a much younger man. My erection is as firm as a senator’s handshake. So should I not endeavor to contribute my genes to our little colony before I expire? Should our gene pool include only those offspring of our alpha male, as though we were a troupe of gibbons? Do we really want five Cole juniors for the next generation, five male models, admiring themselves in the reflection in the cove, wondering who is the fairest of them all? Or worse still, all vying to be the leader, dividing up the island, buying and selling their beachfront real estate?

I did not choose this predicament. I am sleeping just a few feet away from a beautiful nineteen-year-old girl. Am I not still a man?

 

It was not supposed to end like this, with us huddled together on a beach somewhere, wondering who is going to die first. How did I find myself on this excursion, after those years ensconced, alone, in my villa by the sea? I was living the life of a recluse, an old salt, an old masturbator, when one morning, on a day just like any other….

Scratch that. I am not ready to tell about that. We will get there. In due time. But now I see I must go back further. I must say something more of myself.

About the Author

Dan Blum

Daniel A. Blum grew up in New York, attended Brandeis University and currently lives outside of Boston with his family. His first novel Lisa33 was published by Viking in 2003. He has been featured in Poets and Writers magazine, Publisher’s Weekly and most recently, interviewed in Psychology Today.

Daniel writes a humor blog, The Rotting Post, that has developed a loyal following.

His latest release is the literary novel, The Feet Say Run.

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Talking Books with Cyber Thriller Author Bruce Forciea

Bruce Forciea is known for taking complex scientific concepts and making them easy to understand through engaging stories and simple explanations. He is an Amazon Best Selling Author and author of several books on healing and biology, along with science fiction thriller novels. His fiction writing draws on a diverse and eclectic background that includes touring and performing with a professional show, designing digital circuits, treating thousands of patients, and teaching. His stories include complex plots with unexpected twists and turns, quirky characters, and a reality very similar to our own. Dr. Forciea lives in Wisconsin and loves writing during the solitude of the long Northern winters.

Website & Social Links:

WEBSITE | TWITTER | FACEBOOK

About the Book:

A brilliant artificial intelligence (AI) scientist, Dr. Alan Boyd, develops a new program that integrates part of his brain with a computer’s operating system. The program, Alan 2, can anticipate a user’s needs and automatically perform many tasks. A large software company, International Microsystems (IM) desperately wants the program and tempts Dr. Boyd with huge sums of money, but when Dr. Boyd refuses their offer, IM sabotages his job, leaving him in a difficult financial situation.

Dr. Boyd turns to Alan 2 for an answer to his financial problems, and Alan 2 develops plan Alpha, which is a cyber robin hood scheme to rob from rich corporations via a credit card scam.

Alan and his girlfriend Kaitlin travel to Mexico where they live the good life funded by plan Alpha, but the FBI cybercrime division has discovered part of Alan 2’s cyber escapades, and two agents, Rachel and Stu, trace the crime through the TOR network and Bitcoin.

Alan 2 discovers the FBI is on to them and advises Alan and Kaitlin to change locations. A dramatic chase ensues taking them to St. Thomas, a cruise ship bound for Spain, and finally to Morocco.

Will they escape detection? They will if Alan 2’s Plan Beta can be implemented in time. Or is ‘Plan B’ something altogether different than it appears to be, something wholly sinister that will affect the entire population of the world?

Watch the trailer at YouTube!

Purchase Information:

Amazon | Barnes & Noble | Publisher

What made you decide to become a published author?

I became an author about 12 years ago when I wrote my first non-fiction book. I always have a number of ideas rumbling around in my grey matter and once I developed the technical skills for writing I was able to get some of them down on paper.

Would you consider your latest book, Alan 2, to be a one of a kind?  How so?

Yes, I believe Alan 2 is an original. There have been stories about how robots and rogue computers have taken over the world, but Alan 2 has a unique and sneaky way in which he achieves his goals.

Where is your writing sanctuary?

I actually write in several places. These would include my home office and living room. Sometimes, I like to play electronic music while sitting in my living room and write. Other times, I may visit a local coffee shop to get some writing done. As long as I have my laptop and head phones, I can write virtually anywhere.

What do you believe a writer should not do as far as getting his or her book published?

There are many mistakes writers can make in getting a book published. I would say don’t rush through the process. Take your time to go through your project multiple times to make sure it is the best it can be.

Why do you love to write science fiction?

I really enjoy the escapism that comes with living with a project for a few months or so. I think science fiction offers the ultimate escape whereby one can create an alternate reality or world in which to tell a story.

What’s one fun fact about your book people should know?

Sometimes I use the first names of people I know for characters.

Did any real life experiences find their way into your book?

Not really for Alan 2. My last book, The X-Cure, had a few of my life experiences. Part of the story is set in China where my wife and I visited a few years ago. Some of the events in the book actually happened.

For Alan 2, I can’t say I ever was on the run from the FBI and hiding out in a fortress in Morocco, but there were a couple of locations I had visited. There is some attraction I have to running away and leaving it all behind if you know what I mean.

Aside from writing, what’s your passion?

I love my job teaching college. I’ve always had careers where I help others and I feel it is one of my callings in life.

What’s next for you?

I’m researching my next book which will be about a young adult female who discovers she has the ability to heal others. During the time of her discovery a deadly plague threatens humanity and she, along with 2 other women from other countries, must unite to stop it.

Right now, I’m in the research phase. For example, one of the characters is a prostitute in the slums of India so I have been researching some of the slums of the big cities in India. I’m also conducting some research on viruses. It’s a lot of fun!

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Vincent Zandri: “If I’m out and see a typewriter, I can’t help but type something on it.”

Winner of the 2015 PWA Shamus Award and the 2015 ITW Thriller Award for Best Original Paperback Novel, Vincent Zandri is the NEW YORK TIMES, USA TODAY, and AMAZON KINDLE No.1 bestselling author of more than 25 novels including THE REMAINS, MOONLIGHT WEEPS, EVERYTHING BURNS, and ORCHARD GROVE. He is also the author of numerous Amazon bestselling digital shorts, PATHOLOGICAL, TRUE STORIES and MOONLIGHT MAFIA among them. Harlan Coben has described THE INNOCENT (formerly As Catch Can) as “…gritty, fast-paced, lyrical and haunting,” while the New York Post called it “Sensational…Masterful…Brilliant!” Zandri’s list of domestic publishers include Delacorte, Dell, Down & Out Books, Thomas & Mercer and Polis Books, while his foreign publisher is Meme Publishers of Milan and Paris. An MFA in Writing graduate of Vermont College, Zandri’s work is translated in the Dutch, Russian, French, Italian, and Japanese. Recently, Zandri was the subject of a major feature by the New York Times. He has also made appearances on Bloomberg TV and FOX news. In December 2014, Suspense Magazine named Zandri’s, THE SHROUD KEY, as one of the “Best Books of 2014.” Recently, Suspense Magazine selected WHEN SHADOWS COME as one of the “Best Books of 2016”. A freelance photo-journalist and the author of the popular “lit blog,” The Vincent Zandri Vox, Zandri has written for Living Ready Magazine, RT, New York Newsday, Hudson Valley Magazine, The Times Union (Albany), Game & Fish Magazine, and many more. He lives in New York and Florence, Italy.

WEBSITE & SOCIAL LINKS:

WEBSITE | TWITTER | FACEBOOK

Inside the Book:

HORROR IN THE DARK WOODS

It’s been eight years since artist and single mom, Rebecca Underhill, was abducted and left to die in an old broken down house located in the middle of the dark woods. But even if her abductor, Joseph William Whalen, has since been killed, another, more insidious evil is once more out to get her in the form of the Skinner. The son of an abusive butcher, Skinner intends on finishing the job Whalen started but failed at.

How is he going to get to Rebecca?

He’s going to do it through her children, by luring them into the cornfield behind the old farmhouse they live in.

HORROR IN THE DEPTHS

Now, armed with the knowledge that the Skinner has escaped incarceration at a downstate facility for the criminally insane, Rebecca must face the most horrifying challenge of her adult life: Rescuing the children not from a house in the woods, but from the abandoned tunnels that run underneath her property.

But the Skinner is watching Rebecca’s every move.

Horrifying question is, will she live long enough to save the children?

FOR MORE INFORMATION:

Amazon

What made you decide to become a published author?

I was groomed for the commercial construction industry. You dig enough ditches and mix enough cement by hand, you learn to become a writer real quick.

Would you consider your latest book, The Ashes, to be a one of a kind?  How so?

Well, first of all, I’m the only one who can write that book, and second, I’m not sure there’s anyone else out there writing about The Skinner, the psycho who lives in the cornfield behind your house.

Where is your writing sanctuary?

I spend two months in Italy every year working on a new novel. Otherwise I write at the dining room table, or in an basement office, or a coffee shop. I can write anywhere.

What do you believe a writer should not do as far as getting his or her book published?

Write a great book, then find an agent who is willing to represent it. If that doesn’t work, self-publish it.

What inspires you?

Writers and writing. If I’m out and see a typewriter, I can’t help but type something on it. It’s sort of a disease.

What is one thing you learned about your book after it was published?

It’s time to start the next one.

Why do you love to write thrillers?

Because I love to read them. Plus, literary novels are boring and don’t pay the bills.

You’re concocting a recipe for a best selling book.  What’s the first ingredient?

Talent.

What’s one fun fact about your book people should know?

It’s the sequel to the No. 1 Overall Amazon Bestselling novel, The Remains.

Did any real life experiences find their way into your book?

I travel a lot. To some pretty sketchy places. I was in Egypt at the tail end of the Arab Spring. A lot of that got into The Shroud Key. The Ashes takes place in a farm house on a farm very close to the spot where I fly fish in a local stream. Geography is important. Some of my novels, like The Innocent and The Corruptions, are based on real events.

Aside from writing, what’s your passion?

Travel, running, weight lifting, fly fishing, hiking, my Jeep, food, beer, good wine, reading, movies, shooting, XTC, The Beatles, Steely Dan, The Jam…lot’s of things.

What’s next for you?

The tenth novel in the Suspense Magazine Award Winning Chase Baker action/adventure series has just been released. It’s called Chase Baker and the Dutch Diamonds. The Detonator will be released in hard-cover by Polis Books in January of 2018. My agent tells me it’s about to be optioned for a feature film, but I can’t yet release the name of the production company. In the meantime, I’ve just finished a new standalone, The Girl Who Wasn’t There, and another Chase Baker, Chase Baker and the Spear of Destiny. Thanks for having me.

 

 

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First Chapter Reveal: Chasing Hindy by Darin Gibby

Chasing Hindy

Title: Chasing Hindy
Author: Darin Gabby
Publisher: Koehler Books
Pages: 284
Genre: Thriller

ADDY’S DREAM AS a patent attorney is to help bring a ground breaking energy technology to the world. Addy’s hopes soar when she is wooed by Quinn, an entrepreneur, to join his company that has purportedly invented a car that can run on water using an innovative catalyst. After resigning her partnership to join Quinn, Addy discovers things aren’t as they seem. The patent office suppresses the company’s patent applications and her life is threatened by unknown assailants if she doesn’t resign.

When she is arrested for stealing US technology from the patent office she realizes Quinn has used her. Now, Addy must find a way to clear her name while salvaging her dream of propelling this technology to the world, all while powerful forces attempt to stop her.

FOR MORE INFORMATION:

Amazon | Barnes & Noble

 

First Chapter:

ADDY FELT LIKE jumping out of her car and doing a quick happy dance in the middle of stalled traffic. Her excitement at becoming the newest—and youngest—partner at the intellectual property law firm of Wyckoff & Schechter was nearly overwhelming.She grinned at the shadow on the hood of Hindy, her treasured retrofitted cherry red Shelby Mustang. The shadow was created by a barrel-sized, hydrogen-filled balloon that floated above the Mustang’s roof. Gawkers pointed and laughed as the Shelby eased down El Camino pulling the tethered balloon as if in a Macy’s Thanksgiving Day parade. The balloon—which on one side sported her law firm’s logo, and on the other Hindy in giant cursive script—was just an advertising gimmick to show her passion for alternative energies. It was only strapped to the roof on calm, sunny days when she was travelling at slow speeds using routes that avoided overpasses. The retrofitted Mustang was really powered by four electric motors using electricity produced by solar panels and a conventional fuel cell.

At first, the Wyckoff partners questioned Addy’s prudence in strapping a floating balloon to the roof of any vehicle, but they’d

come to admire the effectiveness of her marketing innovations. They even lifted their champagne glasses at the end of her mentor’s welcome speech acknowledging that her Shelby was responsible for bringing in increasing numbers of the “green” companies sprouting like weeds all over the Silicon Valley— inventive, entrepreneurial companies in need of legal advice and support for their patents.

While the traffic inched forward, Addy chuckled with excitement. “Hindy, ol’ pal,” she said, patting the dashboard, “you and I are going places now! Next time some overzealous cops accuse you of being a traffic hazard, I’ll stare them down and inform them they’re messing with the partner of a highly prestigious law firm.”

Traffic momentarily loosened and Addy eased Hindy forward, careful not to snap the lines tethering the egg-shaped balloon. Addy sang along with Zissy Spaeth, pop rock’s newest and most flashy star, as Zissy belted out her latest hit, Light in Your Eyes, over the radio. In the corner of her eye she noticed a blaze of neon orange.

Her heart stopped. In the car next to her someone was pointing a bazooka-sized gizmo at her balloon. She blinked, trying to clear her vision.

A flare shot out, aimed straight at her floating ball of

hydrogen.

Even in the late afternoon sunlight, it was impossible to miss the explosion. The dirigible burst into a giant fireball, then slowly deflated and floated down toward the Shelby’s crimson hood.

Addy stomped on her brakes, hoping the balloon’s momentum would shoot the flaming mass forward. The fireball, safely secured by its fluorescent yellow nylon tethers, crashed down onto the windshield, blocking Addy’s view. She screeched to a halt, slammed her shoulder into the door, flung it open, and darted out, catching the heel of her pump on the doorjamb, which sent her sprawling headlong onto the pavement.

She heard tires squeal and at least a half dozen blaring horns. Stinging pain shot up from her elbow and knees. Thank goodness traffic had been just inching along.

Ignoring the pain, she bolted forward, arms raised, ready

to yank the still-burning fabric off the windshield. Before she got close enough to grab it, the sweltering heat from the flames scorched her cheeks, and she shielded her eyes with her forearm. Just when she reached the hood, a breeze lifted the infernal blob and propelled it directly at her, the nylon cords now seared through.

She braced herself for the fireball when she felt arms wrap around her chest and yank her back, barely in time to avoid the searing molten mass of goo about to descend on her head, threatening to fry her face and melt her hair.

“Are you crazy? What are you thinking?” a deep voice

bellowed in her ear, still holding her tight.

Together they watched what was left of the blimp float like a falling leaf onto the grassy shoulder, just like the Hindenburg did almost eighty years ago.

“Someone clearly doesn’t like you, short stuff,” her rescuer said, now standing next to her stroking his goatee, his face hidden behind dark sunglasses and a low-riding Dodgers cap. “More like out to get you. That was some kind of flare the driver shot at your blimp. I tried to spot his license plate, but it was covered up. Snapped a picture with my phone, though,” the man said fishing it from his pocket. “You can kind of see a tattoo on his forearm. The police will love this.”

Before she could thank him, someone cried out, “Call a fire

truck! The grass!”

Brush fires in California were no joking matter. Addy could smell the smoldering grasses. A strong breeze fanned the flames, pushing the fire toward a row of redwood trees.

Then she heard a whiny voice coming from the milling crowd of stranded passengers who’d gathered to find out what was holding up their homeward commute. “I’ve seen that blimp before. I knew it was trouble,” the whiner complained.

“Yeah, but at least she’s part of the solution,” said someone else. “Her car doesn’t use gasoline. Look at what you’re driving,” he said, sneering at the whiny woman’s crossover SUV.

Addy’s knees buckled, her head spinning. She plopped down onto the pavement and hugged her bare legs. This couldn’t be happening.

Why would someone try to destroy her car? Hindy, her

 

beloved Mustang, was just a marketing ploy, no worse than a billboard. Hindy’s fuel cell and solar panels were just two modern technologies that Addy hoped someday would become mainstream to the automotive industry. And her purpose was noble. Her “green” car told the world of inventors that she was one of them, that she would secure their patents and protect their investments. Now her expensive marketing project was in jeopardy.

Soon, swarms of firefighters were scrambling around dousing the flames, while police officers attempted to reroute traffic. A well-built bald man flipped out a paper pad and scribbled a few notes. After removing his sunglasses, he swapped the pad for a pocket camera and snapped random shots of the avid crowd.

All four local networks had sent news crews, and Addy knew two of the reporters. They had already run stories about Hindy, praising Addy’s creative marketing, which one reporter said was a refreshing change from the barrage of personal injury commercials littering daytime television.

As Addy told the reporter during her interview, Silicon Valley was going to be known, not just for starting the computer revolution and launching the social networking scene, but now for making the world green. And Addy was their lawyer.

Reality burst her daydream bubble when she was whisked aside by a team of Sunnyvale police officers. She told them what had transpired, hoping it would help them find the sniper. And she pointed out her rescuer, who was showing another pair of police officers the photo on his phone.

At the end of the interview, one of the officers handed her a ticket. “You were carrying a flammable substance without a permit. You’ll need to make a court appearance.”

Addy gasped. “But they shot at me.”

“And we’re not taking it lightly. There’s been a serious crime committed here, but that doesn’t mean you can break the law. If you hadn’t been toting that blimp, none of this would have happened.”

Addy’s eyes narrowed. “Am I’m free to go?” she said,

snatching the paperwork and turning toward Hindy.

“Yes,” the officer said, “but we’re going to need to impound

your vehicle.”

Addy halted. “Hindy? You can’t.”

The other officer beckoned with both hands, big gestures, as if directing an airplane to the gate. A tow truck wedged its way through the onlookers and began backing up in front of Hindy. “But Hindy works perfectly fine,” Addy protested. “The balloon, that was all for show. The hydrogen for the fuel cell is

where the gas tank used to be.”

The officer shook her head. “We need your car for evidence. As I said, a serious crime has just been committed, and we need to take the vehicle to the station for a thorough evaluation.”

“But I need to get home, and get to work tomorrow.”

“There’s always Uber,” said the officer with a shrug.

 

About the Author

Darin Gibby

In addition to a thriving career as a novelist, author Darin Gibby is also one of the country’s premiere patent attorneys and a partner at the prestigious firm of Kilpatrick Townsend (www.kilpatricktownsend.com). With over twenty years of experience in obtaining patents on hundreds of inventions from the latest drug delivery systems to life-saving cardiac equipment, he has built IP portfolios for numerous Fortune 500 companies. In addition to securing patents, Gibby helps clients enforce and license their patents around the world, and he has monetized patents on a range of products.

Darin’s first book, Why Has America Stopped Inventing?, explored the critical issue of America’s broken patent system. His second book, The Vintage Club, tells the story of a group of the world’s wealthiest men who are chasing a legend about a wine that can make you live forever. His third book, Gil, is about a high school coach who discovers that he can pitch with deadly speed and is given an offer to play with the Rockies during a player’s strike. Gil soon discovers, however, that his unexpected gift is the result of a rare disease, and continuing to pitch may hasten his own death.

With a Bachelor of Science degree in mechanical engineering and a Master of Business Administration degree, he is highly regarded in Denver’s legal and business community as a patent strategist, business manager, and community leader. He is also a sought-after speaker on IP issues at businesses, colleges and technology forums, where he demonstrates the value of patents using simple lessons from working on products such as Crocs shoes, Izzo golf straps and Trek bicycles.

An avid traveler and accomplished triathlete, Darin also enjoys back country fly-fishing trips and skiing in the Rocky Mountains. He lives in Denver with his wife, Robin, and their four children.

His latest book is the thriller, Chasing Hindy.

WEBSITE & SOCIAL LINKS:

WEBSITE | TWITTER | FACEBOOK

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Cover Reveal: The Brass Compass by Ellen Butler

the-brass-compass

About the Book:

Title: THE BRASS COMPASS
Author: Ellen Butler
Publisher: Power to the Pen
Pages: 362
Genre: Historical Thriller/Suspense

A beautiful American spy flees into the night. On her own, she must live by her wits to evade capture and make it to the safety of the Allied forces.

Lily Saint James grew up traveling the European continent, learning languages as she went. In 1938, her mother’s abrupt death brings her back home to Washington, D.C., and after the bombing of Pearl Harbor, Lily comes to the attention of the Office of Strategic Services (OSS). Her knowledge of German, French, and Italian makes her the perfect OSS Agent, and her quick thinking places her as a nanny in the household of an important German Army Colonel, where she is able to gather intelligence for the Allies. After her marketplace contact goes missing, she makes a late-night trip to her secondary contact only to find him under interrogation by the SS. After he commits suicide, she flees into the frigid winter night carrying false identification papers that are now dangerous and a mini film cartridge with vital strategic information. In order to survive, Lily must make it out of Germany, into the hands of Allied-controlled France, through a path fraught with peril.

Pre-order Links:

To Be Notified for Pre-Orders Follow Ellen on Facebook, Twitter, or Join her Newsletter:

https://www.facebook.com/EllenButlerBooks/

http://www.ellenbutler.net/contact-ellen/

https://twitter.com/EButlerBooks

Book Excerpt:

Chapter One

Into the Night

February 1945

Germany

Was ist sein Name?” What is his name? The SS officer’s backlit shadow loomed over his victim as he yelled into the face of the shrinking man on the third-story balcony. “We know you’ve been passing messages. Tell us, who is your contact?” he continued in German.

Lenz’s gray-haired head shook like a frightened mouse. With his back to me, I was too far away to hear the mumbled response or the Nazi’s next question. I pulled my dark wool coat tighter and sank deeper into the shadow of the apartment building’s doorway across the street from where my contact underwent interrogation. The pounding of my heart pulsated in my ears, and I held my breath as I strained to listen to the conversation. In front of Lenz’s building stood a black Mercedes-Benz with its running lights aglow, no doubt the vehicle that brought the SS troops. None of the neighboring buildings showed any light, as residents cowered behind locked doors praying the SS wouldn’t come knocking. This was a working-class neighborhood, and everyone knew it was best to keep your mouth shut and not stick your nose in the business of the Schutzstaffel.

Their presence at Lenz’s home explained why my contact at the bakery was absent from our assignation earlier today. I dreaded to imagine what they had done to Otto for him to give up Lenz’s name … or worse, mine. Even though I’d never told Otto my name, a description of me could easily lead the SS to their target.

Lügner!” Liar!

I flinched as the officer’s ringing accusation bounced off the brick buildings. A young SS Stormtrooper stepped out onto the balcony and requested his superior look at something in his hand. I should have taken their distraction to slip away into the darkness and run; instead I stayed, anxiously listening, to hear if Lenz would break under the SS grilling and reveal my identity. Clearly, they suspected he was involved in spying and would take him away. They probably also knew he had information to spill and would eventually torture it out of him, which was the only reason he hadn’t been shot on sight. It was only a matter of time before he gave me away. My friends in the French Resistance had been directed to hold out for two days before releasing names to allow the spies to disband and disappear. I wasn’t sure if the German network applied the same rules, so I remained to see if he would break before they took him.

“Where did you find this?” the officer asked.

The trooper indicated inside the apartment.

Zeig es mir.” Show me. He followed his subordinate through the doorway into the building.

Lenz turned and braced himself against the balcony. I watched in horror as he climbed atop the railing.

Halt!” a bellow from inside rang out.

Lenz didn’t hesitate, and I averted my eyes, biting down hard on my cold knuckles, as he took his final moments out of the hands of the Nazis. Sounds of shattering glass and buckling metal ripped through the darkness as his body slammed into the SS vehicle. In my periphery, a neighboring blackout curtain shifted.

Scheisse!” the SS officer swore as he and his subordinate leaned over the railing to see Lenz’s body sprawled across their car. “Search the apartment. Tear it apart!”

The moment they crossed the threshold, I sprinted into the night.

My breath puffed out in small plumes of smoke as I dodged through alleys, in and out of darkened doorways, moving on the balls of my feet. Silently, I cursed the cloudless sky as the moonlight bounced off the cobblestones, its brightness clear enough to land a plane. Unless waiting at midnight at a drop zone for needed supplies, a spy preferred the inky blackness of cloudy skies. Especially when escaping the enemy.

A few kilometers from Lenz’s apartment, I paused behind the brick rubble of a bombed-out building. My gaze searched the area for any sign of movement. Standing alert, I held my breath, attuning my senses to the nighttime sounds, and listened for the whisper of cloth, the click of a boot heel, or heaven forbid, the cock of a gun. The thundering of my heartbeat slowed, and I balled my fists to stop my shaking hands. All seemed quiet … for the moment.

My fingers curled around the tiny film cartridge, filled with information vital to the Allied cause, nestled in my coat pocket. Dropping down to one knee, I slipped the heel of my right boot aside and tucked it into the hidden cavity. The coded message I’d planned to pass to Lenz would have to be burned, but I couldn’t take the chance of lighting a fire right now. It would have to wait until morning.

About the Author

ellen-butler

Ellen Butler is a novelist writing critically acclaimed suspense thrillers, and award winning romance. The Brass Compass was inspired by the brave women who served in the OSS, British Special Operations Executive and French Resistance. Ellen is a member of The OSS Society and her fascination with WWII history originally piqued when her grandfather revealed his role as a cryptographer during the war. Ellen holds a Master’s Degree in Public Administration and Policy, and her history includes a long list of writing for dry, but illuminating, professional newsletters and windy papers on public policy. She lives in the Virginia suburbs of Washington, D.C.

WEBSITE & SOCIAL LINKS:

WEBSITE | TWITTER | FACEBOOK

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First Chapter Reveal: Sealed Up by Steve Dunn Hanson

sealed-up

Title: Sealed Up
Author: Steve Dunn Hanson
Publisher: Independent
Pages: 402
Genre: Action/Adventure/Suspense

The Da Vinci Code unsettles. SEALED UP shakes to the core!

UCLA anthropologist Nathan Hill, in a funk since his young wife’s death, learns of staggering millennia-old chronicles sealed up somewhere in a Mesoamerica cliff. This bombshell rocks him out of his gloom, and he leads a clandestine expedition to uncover them. What are they? Who put them there? No one knows. But, self-absorbed televangelist Brother Luke, who funds the expedition, thinks he does. If he’s right, his power-hunger will have off-the-charts gratification.

Striking Audra Chang joins Nathan in his pursuit and brings her own shocking secret. As they struggle through a literal jungle of puzzles and dead ends, she finds herself falling in love with Nathan. Her secret, though, may make that a non-starter.

When a shaman with a thirst for human sacrifice, and a murderous Mexican drug lord with a mysterious connection to Brother Luke emerge, the expedition appears doomed. Yet Nathan is convinced that fate—or something—demands these inscrutable chronicles be unearthed.

And if they are . . . what shattering disruption will they unleash?

Intricately layered and remarkably researched, this enthralling suspense-driven and thought provoking tour de force begs a startling question: Could it happen?

Pick up your copy at:

Amazon

First Chapter:

Thursday, December 21, 2000

NAJA, CHIAPAS, MEXICO

Nacom was dying.

Guanacaste trees filtered the twilight into gold slivers that shimmered across Laguna Naja. The lake bore the name of the Lacandón Maya village nestled against it. Kish squatted on the ribbon of beach that framed the giant pond and stared at the darkening blue water. His black hair hung like string around his face, and his white tunic draped him like a sack. Koh Maria told him to wait there. She said her grandfather wanted to speak with him.

Kish knew what Nacom wanted.

“Who will follow a nineteen-year-old shaman,” he groused. Guttural growls of howler monkeys sounded like mocking laughter, and his shoulders slumped. A sharp tug on his tunic pulled him from his petulance.

“Now,” Koh Maria said.

Kish followed her to Nacom’s hut where she pushed open two square-ish boards hinged to weathered posts. Inside, roughhewn mahogany planks of random widths formed the walls. The shaman’s shriveled body lay in a hand-loomed hammock of faded palm-green and corn-yellow stripes. He cracked open his eyes as Kish stood beside him. With the back of his hand, he dismissed Koh Maria.

“You. Chilam.” Nacom whispered. “Itzamná speaks.”

“Priest? Me?” Kish stuttered as he shook his head.

“Obey!” Nacom responded, and his finger pointed to the arcane mahogany box beneath his hammock. Kish did not know what was inside, but something about the box unsettled him. The old man moved his fingers back and forth. Once. Twice. Kish was to pick it up. His hands quivered as he set the box on the simple table by the hammock’s side.

Nacom mumbled something. Kish bent closer. Nacom spoke again. “What day?”

Kish replied in Hach T’ana, the pure Mayan tongue: “Lahca baktun. Bolonlahun katun. Uuc tun. Canlahun uinal. Uuclahun kin.” December 21, 2000—winter solstice.

“Yes,” Nacom slurred. “You prepare. Lahca baktun. Bolonlahun katun. Bolonlahun tun. Uaxac uinal. Hun kin.” In four-thousand-one-hundred-eighty-four days. His hand moved to a thin cord around his neck. He labored as he pulled it from under his white tunic revealing a small key. Kish was to remove it.

With care he raised the old man’s head and slipped the cord over it. For a long moment Nacom lay still; his breath hardly there at all. Then the index finger of his right hand pushed toward the box and wiggled. Kish fought his anxiety as he inserted the key.

“Should I open it?” His voice was high, tense. Nacom’s head bobbed a little. Kish turned the key and raised the lid. A rectangular-shaped object on top was enfolded in white cotton cloth. The one on the bottom, shaped the same but thicker, was wrapped tight in the black pelt of a jaguar and bound with four cords. Kish reached to pick up the white one.

“No!” Nacom’s fingers lifted an inch as he forced out the word with startling firmness. “You. Prepare. Listen Itzamná.” His breath was heavy. “You. Keep box. Sacwa’an (white). Study. Follow. I’ic’ (black). No you. Give. Lahca baktun. Bolonlahun katun. Bolonlahun tun. Uaxac uinal. Hun kin.” In four-thousand-one-hundred-eighty-four days. His breath was a gasp and almost ceased. For a long moment there was no movement; no sound, except for Kish’s own nervous panting. Then Nacom whispered, “Not fail. Lock box. Koh Maria.”

Kish closed the lid and fastened it. His hands shook as he put the cord with the key around his own neck. He scrambled to the doorway and motioned to Koh Maria. She entered, opened her eyes wide at Kish’s ashen face, then went to her grandfather and held his hand. His face puckered into a tiny wrinkled smile. With effort he lifted his eyes to reveal red-veined film, and words like a ghost-rustle parted his lips. “The box. Kish.” Koh Maria nodded.

With a gurgle, Nacom breathed in.

Breathed out.

Then no more.

About the Author

steve-dunn-hanson

I’ve lived in places that grew me . . . from a small Idaho farm town, a run-down neighborhood in St. Louis, and a middle-class southern California community, to Sydney, Australia, and Bucharest, Romania. My experiences are as varied as the places I’ve lived. I have a hopper full of “reality” including being a volunteer jail chaplain and flying with a U.S. presidential candidate in his small plane when an engine conked out. And all of this is fodder for my writing.

My latest book is the action/adventure/suspense novel, Sealed Up.

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First Chapter Reveal: I Angus (The Eternity Series Book 4) by Mike Hartner

i-angus

Title: I, Angus
Author: Mike Hartner
Publisher: Eternity 4 Popsicle Publishing
Pages: 260
Genre: Historical Fiction

During a time of civil strife and purging the North has lost more men to Wars then it ever did to Nature.

Angus has grown up learning that his life is better off with only him and a family. But is that really in the Grand Plan.

The North needs someone to build community.

But first, Angus needs to be forged… beaten, shaped, bolded and trained.

Watch as Angus hits both lows and highs across the lands of England, Scotland and France, before meeting a challenge of new land.

For More Information

Chapter One

It is a few days before my fifteenth birthday, and I have been scrubbing the castle floors all morning. I stand and the wind blows hard in my face, moving my reddish-orange hair from in front of my hazel eyes as I stretch my 5-foot 7-inch frame and look out the window.

The sky is dark and gloomy, but I can’t smell the rain yet, so I know a long time will pass before it pours down on our shire in North Scotland. In the far distance, I observe something moving toward our castle. It’s not long before I recognize my da’s charger. I can see others giving chase, although they’re quite a ways back. I run to open the gate and lower the drawbridge. I yell for my sister Janet to help me, because cranking it upright in a hurry is no small chore for one person.

The drawbridge has just been lowered when the hooves of Da’s horse, Spirit, come galloping across it. My sis does her part, and we quickly raise the bridge and race to the stallion and its rider. We arrive to hear the sound of arrows hitting the drawbridge and men yelling imprecations.

The heavily lathered stallion stands impatiently. On the horse’s back is its owner, Sir Donald Mackenzie, my da’. He is doubled forward, holding on to the mane, with an arrow in his upper left shoulder and another sticking out from his right calf. He wears a blue bonnet, along with a plaid kilt depicting our family’s lineage. A true archer, Da’s bow dangles on his back, diagonally between his shoulders.

The men on horseback, of which there are four, think better of trying to ford our moat, and they ride off. Lucky for us they don’t know that at that moment we are alone in the castle. Sis and I remove Da’ from the horse, and supporting our father between us we hurry him to his bed, where she begins ministering to his wounds.

I wonder what has caused this terrible event? My father had left several days ago with my much younger sister, Alice, to take her to a neighboring laird who had offered to have her schooled. I had watched my da’ the night before give Alice a family heirloom. It wasn’t much, but it was a locket that his great-grandmother had passed down to my grandmother who had passed it down to my mother, who was no longer with us. I remember Da’s telling us once that the tiny case had been given to our family on the occasion of an aunt’s marriage into the Clan MacDonald. I’d seen the engraving it held: two shields together, with their crests, one on the front, one on the back. And I recall Alice’s telling him, as he fastened it to her neck, that she’d forever wear it proudly.

I’d learned, however, not to believe much of what Alice said of late, as she was always coming up with whatever she thought would gain her purchase. But Alice was the oldest daughter—now eleven while Janet, who is every bit as tall as her and twice as strong, is but nine—so the keepsake rightfully should go to her.

Da’ was onto her though, and I think he’d worked out something with Laird MacLaren to see that she learned manners and honor as much as anything. Aye, but I also thought it might do her good to get set down a peg, as the MacLarens were wealthy landowners and not to be trifled with. It crossed my mind as well that Da’ hoped she might find a man of some stature someday who’d marry her, which would solve all the problems with Alice’s odd ways, as she never seemed happy with what Da’ provided for her. No matter, she would be schooled, and if nothing else she’d see other girls her age and how they acted. She would come back a better person—if she chose to return at all, which I highly doubted.

Da’s ride should have been a day out and a day back, with a day in-between to enjoy the hospitality of the laird. You see, this is the North of Scotland, and all of our families know each other, and no one just comes and goes, even if they are not related.

My da’ is hurt bad, and even with Janet and me by his side, the conditions are grim, as there is only so much we can do. I bring him food when sis has it ready, but I take it away when it isn’t touched four hours later. All he can do is let out an occasional groan

About the Author

mike-hartner

Mike Hartner was born in Miami in 1965. He’s traveled much of the continental United States. He has several years post secondary education, and experience teaching and tutoring young adults. Hartner has owned and run a computer firm for more than twenty-five years. He now lives in Vancouver, British Columbia, Canada, with his wife and child. They share the neighborhood and their son with his maternal grandparents.

Mike’s latest book is I, Angus (The Eternity Series Book 4).

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Talking Books with Howard Jay Smith, author of ‘Beethoven In Love; Opus 139

howard-j-smith-3Howard Jay Smith is an award-winning writer from Santa Barbara, California. BEETHOVEN IN LOVE; OPUS 139 is his third book. A former Washington, D.C. Commission for the Arts Fellow, & Bread Loaf Writers Conference Scholar, he taught for many years in the UCLA Extension Writers’ Program and has lectured nationally. His short stories, articles and photographs have appeared in the Washington Post, Horizon Magazine, the Journal of the Writers Guild of America, the Ojai Quarterly, and numerous literary and trade publications. While an executive at ABC Television, Embassy TV, and Academy Home Entertainment, he worked on numerous film, television, radio, and commercial projects. He serves on the Board of Directors of the Santa Barbara Symphony – “The Best Small City Symphony in America” –  and is a member of the American Beethoven Society.

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INTERVIEW BOOK CIRCLE ONLINE AT YOUTUBE

INTERVIEW BLOGTALK RADIO

About the Book:

At the moment of his death, Ludwig van Beethoven pleads with Providence to grant him a final wish—one day, just a single day of pure joy. But first he must confront the many failings in his life, so the great composer and exceedingly complex man begins an odyssey into the netherworld of his past life led by a spirit guide who certainly seems to be Napoleon, who died six years before. This beethoven-in-loveghost of the former emperor, whom the historical Beethoven both revered and despised, struggles to compel the composer to confront the ugliness as well as the beauty and accomplishments of his past.

As Beethoven ultimately faces the realities of his just-ended life, we encounter the women who loved and inspired him. In their own voices, we discover their Beethoven—a lover with whom they savor the profound beauty and passion of his creations. And it’s in the arms of his beloveds that he comes to terms with the meaning of his life and experiences the moment of true joy he has always sought.

Purchase Information:

Amazon

What made you decide to become a published author?

I had always wanted to be a working writer and was fortunate enough to be able to publish magazine articles, short stories and a book on my mentor, the novelist John Gardner, not long after finishing graduate school. My early works earned for me several scholarships to Middlebury College’s Bread Loaf Writers’ Conference as well as three Washington, D.C. Endowment for the Arts Fellowships – but none of this was enough to earn a living.  A few years later I moved to Hollywood, attended the American Film Institute as a Screenwriting Fellow and spent the next fifteen years working, writing and producing there.  I also taught both screenwriting and the craft of short story writing at UCLA.  Those classes became the basis for my second book, “Opening the Doors to Hollywood,” published by Random House.  “Beethoven in Love; Opus 139” a novel, just came out this year but has its roots in a work I was drafting back then.

Would you consider your latest book, “Beethoven in Love; Opus 139” to be a one of a kind?  How so?

As one of the character says in the course of the story, What is a novel, but a collection of lies we tell to reveal greater truths.”  “Beethoven in Love; Opus 139” strives to be a solidly crafted work of literary and historical fiction that is at once a page-turner that pulls the reader ever forward while revealing a factually accurate portrait of Beethoven, the man, and the women in his life.  It is the product of two years of solid research that incorporated the details from over a dozen biographies, original source materials, the composer’s own diaries, and six volumes of letters to and from Beethoven, into a work of fiction in a manner that has never been done before. So, yes, in that regard it is unique.  As one critic, Douglas Dutton, Professor of Music, at the Colburn School of Performing, wrote:  “Do we really need another book about Beethoven? A resounding ‘Yes!’ if it is Howard Jay Smith’s, Beethoven in Love; Opus 139. Smith’s novel abandons the assumed and fabricated ‘truths’ of the Beethoven life. This is a Beethoven of the imagination: irascible, argumentative, difficult, and yet passionate and tender. Smith treats Beethoven like the human he was, augments the faults, diminishes the virtues, and the resultant humanity only serves to create an even larger larger-than-life hero.”

Where is your writing sanctuary?

Anywhere I can sit with my laptop and look out the window at my gardens.

What inspires you?

Great stories of historical figures where my potential protagonist must wrestle with the type of profound emotional or psychological issues that every one of us can relate to in our own lives.

What is one thing you learned about your book after it was published?

To answer this one, I have to make a slight detour back to when I first started my Beethoven research.  My mentors from my early days as a writer where novelists, such as John Irving, Toni Morrison, Tim O’Brien and the late John Gardner, whose works have all won a National Book Award or some similar honor. My original intention had been to read a biography or two about Beethoven and then create a totally fictional story.  No sooner than halfway through my first biography I realized that we know an enormous amount about Beethoven and that it would be completely inappropriate to simply make something up.  To create a novel that was both a great read and historical consistent with the known facts was going to take an enormous amount of work.  It was a matter of jumping all in or not at all.  And if I was going to make the commitment to do this book properly and devote the year’s necessary to pull it off, I had to also commit to myself that I would not move forward unless I could write it at a level of quality that my mentors would have respected.

My first public reading after publication – and I have done many since – was for the American Beethoven Society at their Thirtieth Anniversary Symposium.  There I was reading a work of fiction to an assembled crowd of Beethoven experts – and they loved it!  The reviews forthcoming from critics in the literary world, the music world and every day readers since then have been similar to this one on Good*Reads:

Five Stars. “This Book is an Absolute Masterpiece. There aren’t a lot of times that we get a book to read where the author lets the reader get a good look at the heart and soul of a genius. We all know some of this amazing person, Ludwig Van Beethoven, but we haven’t had the inside look at what life has dealt him and his trials and struggles. We all have those demons that haunt us, but we don’t stop and think that someone as brilliant as Beethoven would have them too. The author not only shows us the man but how this man saw the world around him. I never knew that Beethoven had love in his life. Beethoven was a complicated man and took his music to a level few will ever achieve, if any ever do. Everyone should sit down and seriously read this book. It doesn’t matter if you’re a lover of music, romance, history, the man himself, it’s a good novel and it shouldn’t be by-passed. The pace is steady so you have time to take it all in. Remember, you’re seeing things about a musical master that you may never have known. Everyone, genius or not, must come to grips of what our life is, what it means and where it’s going.”

Why do you love to write fiction?

When writing we create a vivid and continuous dream in a reader’s mind that is so powerful and all-encompassing that they next thing that reader knows is that someone is calling him or her to dinner.  I love being the architect of that dream, I love creating that world that my characters inhabit, struggle through and in some small way emerge victorious.

You’re concocting a recipe for a best selling book.  What’s the first ingredient?

Sex is first, celebrity second, food third.  My all-time favorite title for a best seller would be “The Kennedy Sex Diet.”

What’s one fun fact about your book people should know?

Everyone knows some of the common facts of Beethoven’s life and his music, but almost no one knew that he was a voracious reader of philosophic texts from around the world.  He was profoundly influenced by those works, such as the Hindu sacred text, the Bhagavad Gita, whose themes worked their way into his Ninth’s Symphony’s Ode to Joy.

Did any real life experiences find their way into your book?

Yes, absolutely but in unexpected ways. When researching Napoleon and his influence on Beethoven’s life, I discovered that during his infamous retreat from Moscow when he lost over five-hundred thousand of his men, to combat, disease, and the brutal winter of 1812, he passed through my maternal grand-mother’s village in what is now Belarus. In the tiny village of Smorgonie he passed control of his army to his second in command and raced back to Paris by sled in a then record time of two weeks.

I had never even seen the name “Smorgonie,” in print before.  There were only a thousand people in that village.  Finding that this great tidal wave of history had passed through my family’s home, I instantly knew that I would incorporate four true life stories from our own history into the novel.

Aside from writing, what’s your passion?

Though not a musician, I have had a lifelong love of music — classical, blues and rock.  I am on the Board of Directors of the Santa Barbara Symphony – “The Best Small City Orchestra in America,” – and take great delight being a cheerleader and fundraiser for this astonishing group of musicians.

What’s next for you?

I am sticking with great music and personalities from the Classical Era.  Next up is “Mozart, Da Ponte, Scandal,” a novel about the life and times of Lorenzo Da Ponte, the librettist for Mozart’s three greatest operas, “Don Giovanni,” “The Marriage of Figaro,” and “Cosi Fan Tutte.” Though often overlooked and uncredited, Da Ponte’s life began in and around Venice in an era when people still wore capes and masks year-round and ended eight-eight years later in early modern New York where he opened an opera house that would evolve into the Met and where he also served as the first professor of Italian at what is now Columbia University.

In between those years he led a rogue’s life. Da Ponte, who was born Jewish, and was converted at fourteen to Catholicism, became a priest and literary scholar who would say Mass on Sunday while whoring, drinking and gambling the other six days of the week with his friend, Casanova, the infamous role model for Don Giovanni.  Always too political for his own good, he was successively expelled from the Veneto, Venice and Vienna and had to flee debt collectors in London before making his way to New York in 1805 where he opened an Italian bookstore in Manhattan and a deli across the river in New Jersey.  He was the classic survivor, who in his day wrote a collection of operas that were considered scandalous but are today revered as some of the finest works of that genre ever created.

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First Chapter Reveal: Your Body, Your Style by Rani St. Pucchi

your-body-your-style-amazonTitle: Your Body, Your Style
Author: Rani St. Pucchi
Publisher: Koehler Books
Pages: 150
Genre: Nonfiction

Rani St. Pucchi, a trend-setting designer whose designs have been recognized in Entertainment Tonight, Harper’s Bazaar, WWD, Town and Country, Bride’s, Cosmopolitan Bride, Martha Stewart Weddings and The Knot, can help define the style that flatters you most — no matter what age or stage of life you are in or what your body type is.

Women from all over the world have clamored to have a private consultation with Rani so they may benefit from her expertise and regain their self-confidence and shine.

In Your Body, Your Style, Rani shares with you her knowledge of the female form and guides you to find simple solutions to your most pressing body concerns. The focus is on you — and how you can make yourself more confident and appealing in almost every situation — simply by making a few changes and different choices in planning your wardrobe.

Once you embrace your unique attributes and dissolve your bad relationship with your body, you’ll be amazed to find how irresistible you are to others!

This simple and friendly guide reveals:

* What clothes and silhouettes are best for your specific body type

* Simple techniques to determine which colors flatter you most

* Solutions to common lingerie issues and the importance of fit

* The one dress that is a chameleon, and how to transform it into different looks

* How to travel stress free by planning your wardrobe well

* 101 styling secrets, professional tricks and fashion tips

RANI ST. PUCCHI is an award-winning fashion designer, an author and relationship expert. She is a regular contributor to The Huffington Post.

PURCHASING LINKS:

AMAZON * B&N

Chapter One

If there is a seminal moment in my relationship to fashion and designing, the occasion that springs to mind is a summer in Bangkok, Thailand. I must have been about four or five years old. My cousin and I were running feverishly from the ground floor of our townhome to my mother’s bedroom on the fourth floor to get dressed for the movies and we were very late.

I looked at the choices I had and was very disappointed. Even though there were so many options I kept trying and tossing the frocks one by one on the floor. The cupboard now bare, I hit a wall: I’d run out of clothes. I remember so well the frustration and at the same time an ah-ha moment. I decided from henceforth I would choose my own fabrics and design my own clothes. After all who knew better than I what looks good on me?

I thank my parents for drawing me into the magical world of luxury fabrics and laces. As the largest purveyor of fine laces in Thailand their ateliers and showrooms became my playground where I would spend all my spare time. I had the opportunity to be around fine fabrics and get to touch and feel and know them well. I actively participated with my tailors in transforming these fabrics into unique designs for myself.

Fast forward to 1984. I was still living in Bangkok, Thailand and running my small tailoring shop in a prominent hotel, specializing in ready to wear and evening gowns, along with men’s tailored suits. A rare opportunity came my way when a client asked if I would be wiling to bring my collection to showcase at her charity event in San Antonio, Texas.

I was an avid fan of the TV sitcom “Dallas” and always fantasized living the life of such opulence and outrage as the characters depicted in the series! My wish to travel to the United States was a dream come true.

With great enthusiasm I prepared a collection of 54 pieces, comprising of jackets, skirts, blouses and dresses and some evening sheaths. I also thought it would be nice to have a finale piece, and so I designed my very first bridal gown for this purpose.

It was a blush colored wedding gown made of pure Thai Silk, entirely hand embroidered and hand beaded. Little did I know that the one wedding gown would receive so much attention as to catapult my whole life!

Next thing I knew I had already committed to showing a Bridal Collection in Dallas at the Dallas Apparel Mart, which was the ‘go to’ fashion platform where buyers from all over the world congregated. I registered my company on a wing and a prayer, and St. Pucchi was born.

When I launched my first bridal couture collection at the Dallas Apparel Mart in April of 1985 I was unsure if what I had so lovingly put together was of any value to the US bridal market. I was also clueless to the fact that white was the only color worn and accepted by the American bride at the time.

They say ignorance is bliss! By the time I learnt it was too late. My collection had already shipped from Bangkok to Dallas and there was not a single white dress among the sixteen styles I had designed. The colors ranged from ecru, blush, butterscotch and even pale blue.

I comforted myself into believing that perhaps the US bridal industry as it was could use a fresh perspective and hopefully my collection would, at the very least, bring some excitement.

It was pure pleasure to be totally immersed in an unfolding story, on a journey that is never forgotten. My first collection produced in me an intensely emotional and cathartic experience. After all I had invested all my resources and had used up my credit cards to the max. There was so much riding on my success that I could not fathom what the future would look like if…

The Dallas Apparel News ran a front-page story about my premier bridal collection and how it was a harkening of things to come. I was applauded for being a pioneer not only for using pure silks in bridal, which was unheard of at the time, but also for being so bold and daring as to introduce color to bridal wear.

The US bridal industry as we had known it would change forever.

Today, 30 plus years later, with more than 10,000 designs under my belt, I find myself very fortunate and humbled to write this book. The amazing women I’ve had the pleasure to work with during trunk shows, fashion shows, and on my travels across the globe have taught me much.

I have witnessed again and again how looking good can change a woman’s life. I have worked with numerous women, young and old, women getting married, mothers with teenage daughters, women going thru midlife crisis and those going thru menopause. The story they tell themselves is the same. Most are not happy with their bodies and wish they could change something or the other so they can feel confident in themselves.

A woman’s form is the most beautiful, most complex and the most intriguing. Yet we don’t appreciate it enough. We tend to hide parts that we feel are not attractive and we berate ourselves for being too much of this, and not enough of that. Rather than being in awe and working with the form we are blessed with, we spend more time and resources than most of us can afford, on diets and procedures that are rarely long lasting.

We’re on this constant merry-go-round and obsess about our body during every waking moment. Not only that, but the way we talk to ourselves we would not allow anyone to say those words to either our best friends or even our worst enemies!

This book does not pretend to be your road to perfection. The purpose of writing it is to guide you thru simple techniques and suggestions on how to look at your body and see what you can make better.

You are asked to assess and appraise your body type so that you can learn about the most flattering silhouettes to dress in.

You will learn how to dress your body in a way that will enhance your best assets and camouflage areas that you feel uncomfortable about or find lacking in any way.

You realize why it is so important to invest in the right lingerie. You learn the importance of fit and simple solutions to your common bra issues.

You are invited to learn a simple process to determine what colors flatter you most and which ones to part with. Color being one of the key elements that makes a woman look more interesting, more self-confident, more self-assured and in control.

You will learn about the one color that is a must staple in every woman’s wardrobe. The one piece of clothing that is a chameleon and that can be transformed into any myriad number of looks.

You are taken on a journey on how your style and taste evolves as you transition from your 20s, 30s, 40s, 50s, to your 60s and beyond. And you learn that sexy is never out of fashion, nor is it outdated. That in fact the older you get the more confident you become. And you realize that ultimately confidence is really what makes a woman sexy.

You become savvy on how and what to pack for your travels, whether you’re going on a month long vacation, a weekend romantic getaway to an exotic tropical island, or a short business trip.

You learn the simple four step process to sort-and-purge and organize your wardrobe so that no time is wasted in choosing what to wear each day allowing you time to become more productive in life.

You will be able to define your personal style, and become clear on how you wish to be seen in the world. This knowledge will help you embrace your own unique personality and shine.

In this book I share 101 tips and tricks on fashion fixes that help you gain self-confidence, on how to accentuate your strongest features, on dressing sexy. You will receive smart shopping hints and simple style advice for your body type and more…

In these pages I share with you the knowledge that I have garnered and reveal those secrets you will now learn so you too can look like a million regardless of the body you have, or the resources, to access trends that are so fleeting as to make our heads spin!

Thank you for the opportunity to share my knowledge. I hope it serves you.

About the Author

rani-st-pucchiThirty years ago, Rani St. Pucchi took the bridal world by storm, despite having no formal training in fashion. She is an award winning couture fashion designer and founder of the world-renowned bridal house St. Pucchi. A passionate and dynamic entrepreneur who launched her global empire in the United States in 1985, Rani’s vision was to create an avant-garde bridal and evening couture line with modern styling and classic details. That vision has been realized today.

Renowned for infusing her creations with touches of magnificently colored jewels, exquisite hand embroidery, delicate beading and sparkling crystals on the finest silks and laces, these inspired designs with innovative draping evoke the timeless elegance every woman desires. As one of the foremost designers to introduce exotic silk fabrics and hand embroidery, Rani is applauded for being a pioneer in bringing color to the United States bridal scene, having learned that white does not flatter everyone.

Rani has been recognized and nominated on multiple occasions for her design talent and won numerous awards as a Style Innovator. In addition, she has been honored with the Best Bridal Designer Award at the prestigious Chicago Apparel Center’s DEBI Awards (Distinctive Excellence in Bridal Industry).

Rani is famous for designing the wedding dress worn by “Phoebe” as she captured the hearts of millions when she said “I Do” in a unique St. Pucchi Lilac corset bodice A-line gown on the finale of the hit television show Friends.

Her range of avant-garde designs are worn by the world’s most discerning brides, including celebrities and style icons such as New York Giants’ player Aaron Ross’ wife, Olympic gold medalist Sanya Richards; Dallas Cowboys’ quarterback Tony Romo’s wife Candice Crawford; Actress Tara Reid; Jason Priestley’s wife Naomi Lowde; actress Candice Cameron and Grammy Award winning country music singer Alison Krauss, who donned a specially designed Chantilly lace and silk gown at the Country Music Awards.

Rani has enjoyed much media attention. Her signature designs have been recognized in high profile media such as Entertainment Tonight, Harper’s Bazaar, WWD, Town and Country, Bride’s, Cosmopolitan Brides, Inside Weddings, Martha Stewart Weddings and The Knot.

Rani’s real passion other than the world of design is to help women who have suffered abuse and those who are struggling to find themselves. On her quest to empower women to be their best selves, she is passionate about helping them find their voice through building their self-confidence. She believes that confidence must start with a woman’s love and acceptance of her body.

Renowned for her savvy knowledge of a woman’s form and fit, Rani is eager to share her knowledge of more than three decades with all women so they can make better styling choices. In addition to the book you are reading now, Rani is the author of four upcoming books: The SoulMate Checklist: Key Questions To help You Choose Your Perfect Partner; Seven Types of Men To Avoid: Recognizing Relationship Red Flags; Designing with Heart: A to Z Guide to Bridal Designing; and Unveiling: A Celebrity Fashion Designer’s Story, a Memoir of her Life Journey.

Born and raised in Bangkok, Thailand, Rani now happily lives in Los Angeles, California.

Her latest book is Your Body, Your Style: Simple Tips on Dressing to Flatter.

 

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